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" melody of numbers, and therefore tires by long continuance. Of the Italian writers without rhyme, whom Milton alleges as precedents, not one is popular ; what reafon could urge in its •defence, has been confuted by the ear. But, whatever be the advantage... "
The Works of the English Poets: With Prefaces, Biographical and Critical - Strana 216
autor/autoři: Samuel Johnson - 1779
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Prefaces, Biographical and Critical, to the Works of the English Poets ...

Samuel Johnson - 1779
...the melody ot tvuwv\>«s, and therefore tires by Iqrig continuance. Of the Italian writer^ xvithout rhyme, whom Milton alleges as precedents, not one...popular; what reafon could urge in its defence, has teen confuted by the ear. But, whatever be the advantage of rhyme, I cannot prevail on myfelf to wHh...
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The Works of Samuel Johnson, LL. D.: The lives of the most eminent English poets

Samuel Johnson, John Hawkins - 1787
...neither the cafmefs of profe, nor the melody of numbers, and therefore tires by long continuance. Of die Italian writers without rhyme, whom Milton alleges...advantage of rhyme, I cannot prevail on myfelf to wifh that Milton had been a rhymer; for I cannot wilh his work to be other than it is; yet, like other heroes,...
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The Works of Samuel Johnson.LL.D..: The lives of the English poets

Samuel Johnson - 1792
...fome approach to that which is called the lapidary Jiyle; has neither the eafinefs of profe, nor the melody of numbers, and therefore tires by long continuance....Of the Italian writers without rhyme, whom Milton alledges as precedents, not one is popular; what reafon could urge in its defence has been confuted...
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The Lives of the English Poets: and a Criticism of Their Work

Samuel Johnson - 1795 - 536 str.
...fome approach to that which is called the lapidaryJlile; has neither the eafinefs of profe, nor the melody of numbers, and therefore tires by long continuance....Italian writers without rhyme, whom Milton alleges as pre-. cedents, not one is popular; what reafon could urge urge in its defence, has been confuted by...
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Paradise Lost: With Notes, Selected from Newton and Others, to ..., Svazky 1–2

John Milton, Samuel Johnson - 1796
...some approach to that which is called the lapidary style; has neither the easiness of prose nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular. What reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,...
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The works of the poets of Great Britain and Ireland. With prefaces ..., Svazek 1

Great Britain - 1804
...some approach to that which is called the lap:dary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,...
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The Works of Samuel Johnson, Svazek 10

Samuel Johnson - 1806
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Of the Italian writers without rhyme, whom Milton alledges as precedents, not one is popular; what reason could urge in its defence has been confuted...
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The poetical works of John Milton, with the life of the author ..., Svazky 1–2

John Milton - 1807
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance. Of the Italian writers without rhyme, whom Miltap alleges as precedents, not one is popular; what reason .could urge in its defence has been confuted...
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The Lives of the Most Eminent English Poets: Cowley. Denham. Milton. Butler ...

Samuel Johnson - 1810
...eye. approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,...
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The Works of the English Poets, from Chaucer to Cowper: Including ..., Svazek 7

Alexander Chalmers - 1810
...some approach to that which is called the lapidary style; has nejther the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Of the Italian writers without rhyme, whom Milton allcdges as precedents, not one is popular ; what reason could urge in its defence has been confuted...
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