The Journal of American Folk-lore, Svazek 121American Folk-lore Society, 2008 |
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Strana 177
... performance at the town hall , like every subsequent performance of this play , developed in specific ways in response to the venue and audience . For example , prior performances in Mumbai had been staged in neighborhood centers or ...
... performance at the town hall , like every subsequent performance of this play , developed in specific ways in response to the venue and audience . For example , prior performances in Mumbai had been staged in neighborhood centers or ...
Strana 178
... performance and its potential . Once the performance began , the actors on the sparse stage also were oriented toward and drawn into this sense of seeing and being seen . In interviews , Vibhuti said that she felt that the audience ...
... performance and its potential . Once the performance began , the actors on the sparse stage also were oriented toward and drawn into this sense of seeing and being seen . In interviews , Vibhuti said that she felt that the audience ...
Strana 189
ownership , reflection , and action ( 2005 ) . Some performances may also reflect Augusto Boal's " theater of the oppressed " in that they includes workshops , a blurring of spectator and audiences , and an interactive style performance ...
ownership , reflection , and action ( 2005 ) . Some performances may also reflect Augusto Boal's " theater of the oppressed " in that they includes workshops , a blurring of spectator and audiences , and an interactive style performance ...
Obsah
CONSTRUCTING FOLKLIFE AND NEGOTIATING THE NATIONAL | 3 |
HEATHER A DIAMOND | 35 |
The Politics and Poetics | 96 |
Autorská práva | |
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