Renaissance Drama: An Anthology of Plays and Entertainments

Přední strana obálky
Arthur F. Kinney
John Wiley & Sons, 24. 1. 2005 - Počet stran: 928
This pioneering collection of non-Shakespearean Renaissance drama has now been updated to include more early material, plus Mary Sidney’s The Tragedy of Antony, John Marston’s The Malcontent and Ben Jonson’s Masque of Queens.
  • Second edition of this pioneering collection of works of non-Shakespearean Renaissance drama.
  • Covers the full sweep of dramatic performances, including State progresses and Court masques.
  • Contains material useful for courses on women playwrights or women in Renaissance drama, including Middleton’s Chaste Maid in Cheapside, Webster’s The Duchess of Malfi and Thomas Middleton and William Rowley’s The Changeling.
  • Includes plays and pageants not anthologised elsewhere, such as the coronation entries of Elizabeth I and Queen Anne, and Thomas Heywood’s ‘A Woman Killed with Kindness’.
  • For the second edition more early material has been added, such as Noah and The Second Shepherd’s Play.
  • The anthology now also includes Mary Sidney’s The Tragedy of Antony, John Marston’s The Malcontent and Ben Jonson’s The Masque of Queens.
 

Obsah

Brief Lives
14
Chronology
21
Maps
35
The Murder of Abel Mactacio Abel Towneley Cycle Noah Chester Cycle The Second Shepherds Play Towneley Cycle
49
bere 1 tumult 2
109
clean beasts in reference to Jewish dietary customs
117
The Spanish Tragedy
150
Arden of Faversham
233
365
345
The Malcontent
419
The Masque of Queens
578
The Duchess of Malfi
641
Bartholomew Fair
708
The Barriers
780
The Changeling
792
Further Background Reading
881

122
275
The Troublesome Reign and Lamentable Death of Edward the Second
278
fowls
316
near
327
Stage Plays and Interludes with their wickedness
902
Womens Roles
914
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O autorovi (2005)

Arthur F. Kinney is Copeland Professor of Literary History at the University of Massachusetts, Amherst, and Director of the Massachusetts Center for Renaissance Studies. He is the editor of A Companion to Renaissance Drama (Blackwell, 2002) and of the journal English Literary Renaissance. His other recent publications include Lies like Truth: Shakespeare, Macbeth, and the Cultural Moment (2001), Shakespeare by Stages (Blackwell, 2002), and Shakespeare’s Webs: Networks of Meaning in Renaissance Drama (2004).

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