FABLE of the Lion and the Man, No. 11.
Children and Frogs, 23. Of Jupiter and the Coun-
Falfehood (the Goddefs of) No. 63.
Falfe wit, the region of it, No. 25.
Falstaff (Sir John) a famous Butt, No. 47.
Fame, generally coveted, No. 73.
Fashion, the force of it, No. 64.
Fear of death often mortal, No. 25.
Fine Gentlemen, a character frequently mifapplied by
the Fair Sex, No. 75.
Flutter (Sir Fopling) a comedy; remarks on it, No. 65.
Fools, great plenty of them the firft day of April, No. 47.
Freeport (Sir Andrew) a member of the Spectator's club,
No. 2.
French poets, wherein to be imitated by the English,No.45.
Friendship, the great benefit of it, N. 68. The medicine
of life, ibid. The qualifications of a good friend, ibid.
GALLANTRY, wherein true gallantry ought to con-
fift, No. 7.
Gaper: the fign of the gaper frequent in Amfterdam, No.47.
Ghofts warned out of the playhoufe, No. 36. The appearance
of a ghoft of great efficacy on an English theatre, 44.
Gofpel goffips defcribed, No. 46.
Goths in poetry, who, No. 62.
HANDKERCHIEF, the great machine for moving
pity in a tragedy, No. 44.
Happinels (true) an enemy to pomp and noise, No. 15.
Hard words ought not to be pronounced right by well-
bred ladies, No. 45.
Heroes in an English tragedy generally lovers, No 40.
Hobbes (Mr.) his obfervation upon laughter, No 47.
Honeycomb (Will) his character, No. 2. His difcourfe with
the Spectator in the playhouse, 4. His adventure with
a Pict, 41. Throws his watch into the Thames, 77.
Human nature the fame in all reafonable creatures, No. 70.
Honour to be defcribed only by negatives, No. 35. The
genealogy of true honour, ibid. and of false, ibid.
IAMBIC verse the most proper for Greek tragedies,
No. 39.
James, how polished by love, No. 71.
Idiots in great request in moft German courts, No. 47.
Idols, who of the Fair Sex fo called, No. 73.
Impudence gets the better of modefty, No. 2. An impu-
dence committed by the eyes, 20. The definition of
English, Scotch, and Irifh impudence, ibid.
Indian Kings, some of their observations during their
ftay here, No. 50.
Indifcretion more hurtful than ill-nature, No. 23.
Injuries how to be measured, No. 23.
Inkle and Yarico, their story, No. 11.
Innocence, not equality, an exemption from reproof, 34.
Jonfon (Ben): epitaph by him on a lady, No. 33.
Italian writers florid and wordy, No. 5.
KIMBOW (Tho.) ftates his cafe in a letter to the
Spectator, No. 24
Kifling-dances cenfured, No. 67
LADY's library defcribed, No. 37.
Lætitia and Daphne, their ftory, No. 33.
Lampoons written by people that cannot fpell, No. 16.
witty lampoons inflict wounds that are incurable, 23.
the inhuman barbarity of the ordinary fcribblers of
lamp ons, ibid.
Larvati, who fo called among the ancients, No. 32
Lath ('Squire) has a good eftate, which he would part
withal for a pair of legs to his mind, No. 32
Laughter (immoderate) a fign of pride, No. 47. the pro-
vocations to it, ibid.
Lawyers divided into the peaceable and litigious, No. 21.
both forts defcribed, ibid.
Lear (King) a tragedy, fuffers in the alteration, No. 40
Lee, the poet, well turned for tragedy, No. 39
Learning ought not to claim any merit to itself, but upon
the application of it, No. 6.
Leonora, her character, No. 37. The defcription of her
country feat, ibid.
Letters to the Spectator; complaining of the mafquerade,
No. 8. from the opera-lion, 14. from the under-fexton
of Covent-Garden parish, ibid. from the undertaker of
the mafquerade, ibid. from one who had been to fee the
opera of Rinaldo, and the puppet-fhow, ibid. from
Charles Lillie, 16. from the prefident of the Ugly Club,
17. from S. C. with a complaint against the starers, 20.
from Tho. Prone, who acted the wild boar that was
killed by Mrs. Tofts, 22. from William Screne and
Ralph Simple, ib. from an actor, ib. from King Lati-
nus, ib. from Tho. Kimbow, 24. from Will Fashion to
his would-be acquaintance, ibid. from Mary Tuesday
on the fame fubject, ib. from a Valetudinarian to the
Spectator, 25. from fome perfons to the Spectator's
Clergyman, 27. from one who would be inspector of the
fign-pofts, 28. from the master of the show at Char-
ing-Crofs, ibid. from a member of the Amorous Club
at Oxford, 30. from a member of the Ugly Club,32.
from a Gentleman to fuch Ladies as are profeffed beau-
ties, 33. to the Spectator from T. D. containing an in-
tended regulation of the playhoufe, 36. from the play-
house thunder, ibid. from the Spectator to an affected
very witty man, 38. from a married man, with a com-
plaint that his wife painted, 41. from Abraham Froth,
a member of the Hebdomadal meeting in Oxford, 43.
from a husband plagued with a gofpel-goffip, 46. from
an Ogling mafter, ib. to the prefident and fellows of
the Ugly Club, 43. from Hecatiffa, ibid. from an old
beau, ib. from Epping, with an account of ftrollers, ib.
from a Lady, complaining of a paffage in the Funeral,
51. from Hugh Goblin, president of the Ugly Club,
52. from Q. R. concerning laughter, ib. Spectator's
anfwer, ib. from R. B. with a propofal relating to the
education of lovers, 53. from Anna Bella, ib. from a
fplenetic gentleman, ib. from a reformed starer, com-
plaining of a peeper, ib. from King Latinus, ib. from a
gentleman at Cambridge: an account of a new fect of
philofophers called Loungers, 54. from Celimene, 66.
from a father, complaining of the liberties taken in
country dances, ib. from James to Betty, 71 to the
Spectator from the Ugly Club, at Cambridge, 78. from
a whimfical young lady, 79. from B. D. defiring a
catalogue of books for the female library, ib.
Letter-dropper of antiquity, who, N. 59
Library, a Lady's library defcribed, No. 37
Life, the duration of it uncertain, No. 27
Lindamira, the only wo nan allowed to paint, N. 41
Lion in the Hay-market, occafioned many conjectures in
the town, N. 13. very gentle to the Spectator, ibid.
London an emporium for the whole earth, No. 69
Love, the general concern of it, No. 30
Love of the world, our hearts misled by it, No. 27
Luxury, what, No. 55. attended often with avarice, No.
27. a fable of those two vices, ibid.
Loungers, a new fect of philofophers in Cambridge, No. 54
MAN a fociable animal, No. 9. The lofs of public and
private virtues owing to men of
parts, 6
Masquerade, a complaint against it, No. 8. The defign
of it, ibid.
Mazarine (Cardinal) his behaviour to Quillet, who had
reflected upon him in a poem, No. 23
Merchants of great benefit to the public, No. 69
Mixt wit defcribed, No. 62
Mixt communion of men and fpirits in paradise, as de-
fcribed by Milton, No. 12
Mode, on what it ought to be built, No. 6
Moliere made an old woman a judge of his plays, No. 70
Modefty the chief ornament of the fair fex, No. 6
Monuments in Weftminster-Abbey examined by the
Spectator, No. 26
Mourning, the method of it confidered, No. 64. Who
the greatest mourners, ibid.
Mufic banished by Plato out of his commonwealth, No.
18. Of a relative nature, 29
NEIGHBOURHOOD, of whom confifting, No. 49
Newberry (Mr.) his rebus, No. 59
New-River, a project of bringing it into the playhouse, 5
Nicolini (Signior) his voyage on pafteboard, No. 5. His
combat with a lion, 13. Why thought to be a fham
one, ibid. An excellent actor, ibid.
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