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FABLE of the Lion and the Man, No. 11. Of the
Children and Frogs, 23. Of Jupiter and the Coun.
the Fair Sex, No. 75.
GALLANTRY, wherein true gallantry ought to con-
fift, No. 7.
of a ghost of great efficacy on an English theatre, 44
HANDKERCHIEF, the great machine for moving
Happinels (true) an enemy to pomp and noise, No. 15.
bred ladies, No. 45.
the Spectator in the playhouse, 4. His adventure with
a Pict, 41. Throws his watch into the Thames, 77. Human nature
in all reasonable creatures, No.70.' Honour to be described only by negatives, No. 35. The
genealogy of true honour, ibid. and of false, ibid.
IAMBIC verse the most proper for Greek tragedies,
James, how polished by love, No. 71.
dence committed by the eyes, 20. The definition of
English, Scotch, and Irish impudence, ibid.
stay here, No. 50.
KIMBOW (Tho.) states his case in a letter to the
Spectator, No. 24
LADY’s library described, No. 37.
wirty lampoons inflict wounds that are incurable, 23. the inhuman barbarity of the ordinary scribblers of
lamp ons, ibid. Larvati, who so called among the ancients, No. 32 Lath ('Squire) has a good eitate, which he would part
withal for a pair of legs to his mind, No. 32 Laughter (immoderate) a sign of pride, No. 47. the pro
vocations to it, ibid. Lawyers divided into the peaceable and litigious, No. 21.
both forts described, ibid. Lear (King) a tragedy, suffers in the alteration, No. 40 Lee, the poet, well turned for tragedy, No. 39 Learning ought not to claim any merit to itself, but upon
the application of ii, No. 6. Leonora, her character, No. 37. The defcription of her
country feat, ibid. Letters to the Spectator; complaining of the masquerade,
No. 8. from the opera lion, 14. from the under-sexton of Covent-Garden parish. ibid. from the undertaker of the matouerade, ibid. from one who had been to see the opera of Rinaldo, and the puppet-show, ibid. from Charles Lillie, 16. froin the president of the Ugly Club, 17. from S. C. with a complaint against the starers, 20. fron Tho. Prone, who acted the wild boar that was killed by Mrs. Tofts, 22. from William Screne and Ralph Simple, ib. from an actor, ib. from King Latinus, ib. from Tho. Kimbow, 24. from Will Faihion to his would-be acquaintance, ibid. from Mary Tuefay on the fame subject, ib. from a Valetudinarian to the Spectator, 25. from fome persons to the Spectator's Clergyman, 27. from one who would be inspector of the
sign-posts, 28. from the master of the show at Char.
catalogue of books for the female library, ib.
the town, N. 13. very gentle to the Spectator, ibid.
Luxury, what, No. 55. attended often with avarice, No.
27. a fable of those two vices, ibid. Loungers, a new sect of philofophers in Cambridge, No. 54
MAN a sociable animal, No. 9. The loss of public and private virtues owing to men of parts,
6 Masquerade, a complaint against it, No. 8. The design
of it, ibid. Mazarine (Cardinal) his behaviour to Quillet, who had reflected upon him in a poem,
23 Merchants of great benefit to the public, No. 69 Mixt wit described, No. 62 Mxt communion of men and spirits in paradise, as de
scribed by Milton, No. 12 Mode, on what it ought to be built, No. 6 Moliere made an old woman a judge of his plays, No. 70 Modesty the chief ornament of the fair sex, No. 6 Monuments in Westminster-Abbey examined by the
Spectator, No. 26 Mourning, the method of it considered, No. 64. Who
the greatest mourners, ibid. Music banished by Plato out of his commonwealth, No.
18. Of a relative nature, 29
NEIGHBOURHOOD, of whom consisting, No. 49
59 New-River, a projcet of bringing it into the playhouse, 5 Nicolini (Signior) bis voyage on pasteboard, No. 5.
His combat with a lion, 13. Why thought to be a tham one, ibid. An excellent actor, ibid.