Tennyson: The Critical HeritageJohn Davies Jump Routledge & K. Paul, 1967 - Počet stran: 464 |
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Strana 93
... called imagination— namely , fancy : the imagery and the melody actually haunt us ; but there is no harmonizing principle in either ; -no appropriateness to the spiri- tual elements of the scene . If the one poem had been called ' A ...
... called imagination— namely , fancy : the imagery and the melody actually haunt us ; but there is no harmonizing principle in either ; -no appropriateness to the spiri- tual elements of the scene . If the one poem had been called ' A ...
Strana 283
... called romantic ; and the grotesque , which might be called the mediaval . We will describe the nature of these a little . Criticism , we know , must be brief - not , like poetry , because its charm is too intense to be sustained - but ...
... called romantic ; and the grotesque , which might be called the mediaval . We will describe the nature of these a little . Criticism , we know , must be brief - not , like poetry , because its charm is too intense to be sustained - but ...
Strana 345
... called metrical than the more shapeless and monstrous parts of Walt Whitman ; which are lineally derived as to their form - if form that can be called where form is none - from the vilest example set by Cowley , when English verse was ...
... called metrical than the more shapeless and monstrous parts of Walt Whitman ; which are lineally derived as to their form - if form that can be called where form is none - from the vilest example set by Cowley , when English verse was ...
Obsah
W J FOX on Poems Chiefly Lyrical 1830 1831 | 21 |
A H HALLAM on Poems Chiefly Lyrical 1830 1831 | 34 |
CHRISTOPHER NORTH on Poems Chiefly Lyrical | 50 |
Autorská práva | |
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admiration Æneid Alfred Alfred de Musset Alfred Tennyson Arthur Arthurian artist beauty called character charm colour criticism death deep delight delineation doubt dream emotion English Enoch Arden expression exquisite eyes faith fancy feeling garden genius Gerard Manley Hopkins give Guinevere heart Homer hope human idea ideal Idylls imagination intellect Keats kind King King Arthur Lady of Shalott Lancelot language less lines living Locksley Hall Lord Tennyson lyrical Maud means melody Memoriam mind mood moral nature never night noble object once Palace of Art Parnassian passage passion peculiar perfect perhaps picture poet poet's poetic poetry present Princess Queen Quotes readers seems sense Shakespeare Shelley Simeon Stylites song soul speak spirit stanza story style sweet Swinburne things Thomas Malory thought tion touch true truth verse Vivien voice volume whole words Wordsworth write