Tennyson: The Critical HeritageJohn Davies Jump Routledge & K. Paul, 1967 - Počet stran: 464 |
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Strana 195
... course of true love ' would be unlikely to ' run smooth ' under the circumstances of Maud and her lover , combined with the conditions of English modern life ; that the man had not the coolness and self - control to master the circum ...
... course of true love ' would be unlikely to ' run smooth ' under the circumstances of Maud and her lover , combined with the conditions of English modern life ; that the man had not the coolness and self - control to master the circum ...
Strana 345
... course , his song was then as sweet as ever it has sounded since ; but he could never make sure of singing right for more than a few minutes or stanzas . The strenuous drill though which since then he has felt it necessary to put ...
... course , his song was then as sweet as ever it has sounded since ; but he could never make sure of singing right for more than a few minutes or stanzas . The strenuous drill though which since then he has felt it necessary to put ...
Strana 374
... course the soundness of this judgment on Tennyson as a poet must depend on the real value of the great poem called , I think with some- what unfortunate modesty , The Idylls of the King . The title misled the public , and the ...
... course the soundness of this judgment on Tennyson as a poet must depend on the real value of the great poem called , I think with some- what unfortunate modesty , The Idylls of the King . The title misled the public , and the ...
Obsah
W J FOX on Poems Chiefly Lyrical 1830 1831 | 21 |
A H HALLAM on Poems Chiefly Lyrical 1830 1831 | 34 |
CHRISTOPHER NORTH on Poems Chiefly Lyrical | 50 |
Autorská práva | |
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admiration Æneid Alfred Alfred de Musset Alfred Tennyson Arthur Arthurian artist beauty called character charm colour criticism death deep delight delineation doubt dream emotion English Enoch Arden expression exquisite eyes faith fancy feeling garden genius Gerard Manley Hopkins give Guinevere heart Homer hope human idea ideal Idylls imagination intellect Keats kind King King Arthur Lady of Shalott Lancelot language less lines living Locksley Hall Lord Tennyson lyrical Maud means melody Memoriam mind mood moral nature never night noble object once Palace of Art Parnassian passage passion peculiar perfect perhaps picture poet poet's poetic poetry present Princess Queen Quotes readers seems sense Shakespeare Shelley Simeon Stylites song soul speak spirit stanza story style sweet Swinburne things Thomas Malory thought tion touch true truth verse Vivien voice volume whole words Wordsworth write