Tennyson: The Critical HeritageJohn Davies Jump Routledge & K. Paul, 1967 - Počet stran: 464 |
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Strana 52
... language which rather records than reveals , spiritualizing while it embodies . They shun not the sights of common earth - witness Wordsworth . But beneath the magic of their eyes the celandine grows a star or a sun . What beauty is ...
... language which rather records than reveals , spiritualizing while it embodies . They shun not the sights of common earth - witness Wordsworth . But beneath the magic of their eyes the celandine grows a star or a sun . What beauty is ...
Strana 155
... language , but the operation of a separate and definite power in the human faculties . A similar observation attaches itself to the poetry of Shelley , to the later productions of Keats , to certain poems of Coleridge . But Tennyson and ...
... language , but the operation of a separate and definite power in the human faculties . A similar observation attaches itself to the poetry of Shelley , to the later productions of Keats , to certain poems of Coleridge . But Tennyson and ...
Strana 199
... language of the most appropriate character and vivid power . Such , both in the matter of sense and of music , is the language of Maud . The syllables and lines of the several stanzas actually trip and halt with abrupt fervour , tremble ...
... language of the most appropriate character and vivid power . Such , both in the matter of sense and of music , is the language of Maud . The syllables and lines of the several stanzas actually trip and halt with abrupt fervour , tremble ...
Obsah
W J FOX on Poems Chiefly Lyrical 1830 1831 | 21 |
A H HALLAM on Poems Chiefly Lyrical 1830 1831 | 34 |
CHRISTOPHER NORTH on Poems Chiefly Lyrical | 50 |
Autorská práva | |
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admiration Æneid Alfred Alfred de Musset Alfred Tennyson Arthur Arthurian artist beauty called character charm colour criticism death deep delight delineation doubt dream emotion English Enoch Arden expression exquisite eyes faith fancy feeling garden genius Gerard Manley Hopkins give Guinevere heart Homer hope human idea ideal Idylls imagination intellect Keats kind King King Arthur Lady of Shalott Lancelot language less lines living Locksley Hall Lord Tennyson lyrical Maud means melody Memoriam mind mood moral nature never night noble object once Palace of Art Parnassian passage passion peculiar perfect perhaps picture poet poet's poetic poetry present Princess Queen Quotes readers seems sense Shakespeare Shelley Simeon Stylites song soul speak spirit stanza story style sweet Swinburne things Thomas Malory thought tion touch true truth verse Vivien voice volume whole words Wordsworth write