Tennyson: The Critical HeritageJohn Davies Jump Routledge & K. Paul, 1967 - Počet stran: 464 |
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Strana 91
... nature , for the other to cultivation . What he derives from nature , is fine senses : a nervous organization , not only adapted to make his outward impressions vivid and distinct ( in which , however , practice does even more than nature ) ...
... nature , for the other to cultivation . What he derives from nature , is fine senses : a nervous organization , not only adapted to make his outward impressions vivid and distinct ( in which , however , practice does even more than nature ) ...
Strana 291
... nature , their actual essence , are doubtless very unpleasant . They would be horrid to meet and horrid to think of . We fear it must be owned that Enoch Arden is this kind of person . A dirty sailor who did not go home to his wife is ...
... nature , their actual essence , are doubtless very unpleasant . They would be horrid to meet and horrid to think of . We fear it must be owned that Enoch Arden is this kind of person . A dirty sailor who did not go home to his wife is ...
Strana 306
... Nature not as in the hour Of thoughtless youth ; but hearing oftentimes The still sad music of humanity . For the lines that follow show what was the real change that had come over him , enabling him oftentimes to hear this still sad ...
... Nature not as in the hour Of thoughtless youth ; but hearing oftentimes The still sad music of humanity . For the lines that follow show what was the real change that had come over him , enabling him oftentimes to hear this still sad ...
Obsah
W J FOX on Poems Chiefly Lyrical 1830 1831 | 21 |
A H HALLAM on Poems Chiefly Lyrical 1830 1831 | 34 |
CHRISTOPHER NORTH on Poems Chiefly Lyrical | 50 |
Autorská práva | |
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admiration Æneid Alfred Alfred de Musset Alfred Tennyson Arthur Arthurian artist beauty called character charm colour criticism death deep delight delineation doubt dream emotion English Enoch Arden expression exquisite eyes faith fancy feeling garden genius Gerard Manley Hopkins give Guinevere heart Homer hope human idea ideal Idylls imagination intellect Keats kind King King Arthur Lady of Shalott Lancelot language less lines living Locksley Hall Lord Tennyson lyrical Maud means melody Memoriam mind mood moral nature never night noble object once Palace of Art Parnassian passage passion peculiar perfect perhaps picture poet poet's poetic poetry present Princess Queen Quotes readers seems sense Shakespeare Shelley Simeon Stylites song soul speak spirit stanza story style sweet Swinburne things Thomas Malory thought tion touch true truth verse Vivien voice volume whole words Wordsworth write