Tennyson: The Critical HeritageJohn Davies Jump Routledge & K. Paul, 1967 - Počet stran: 464 |
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Strana 10
... passing variation in his manner of composition , the right of such a poem to take its place in the totality of his works — to play its part in the general Tennysonian orchestra - is much more easily recognis- able . What is still more ...
... passing variation in his manner of composition , the right of such a poem to take its place in the totality of his works — to play its part in the general Tennysonian orchestra - is much more easily recognis- able . What is still more ...
Strana 383
... passing of Arthur ' at the last , fearful as it seemed , should be but the easy victory over a danger really conquered before— the passing into an isle of rest , whence in higher glory he should return again . The mixture of buoyant ...
... passing of Arthur ' at the last , fearful as it seemed , should be but the easy victory over a danger really conquered before— the passing into an isle of rest , whence in higher glory he should return again . The mixture of buoyant ...
Strana 386
... Passing of Arthur ' , however , heal all wounds . The passage in which the King , while shrinking from even the touch of the Queen's hand , tells her it is his doom to love her still , and that he claims her in the eternal world as his ...
... Passing of Arthur ' , however , heal all wounds . The passage in which the King , while shrinking from even the touch of the Queen's hand , tells her it is his doom to love her still , and that he claims her in the eternal world as his ...
Obsah
W J FOX on Poems Chiefly Lyrical 1830 1831 | 21 |
A H HALLAM on Poems Chiefly Lyrical 1830 1831 | 34 |
CHRISTOPHER NORTH on Poems Chiefly Lyrical | 50 |
Autorská práva | |
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admiration Æneid Alfred Alfred de Musset Alfred Tennyson Arthur Arthurian artist beauty called character charm colour criticism death deep delight delineation doubt dream emotion English Enoch Arden expression exquisite eyes faith fancy feeling garden genius Gerard Manley Hopkins give Guinevere heart Homer hope human idea ideal Idylls imagination intellect Keats kind King King Arthur Lady of Shalott Lancelot language less lines living Locksley Hall Lord Tennyson lyrical Maud means melody Memoriam mind mood moral nature never night noble object once Palace of Art Parnassian passage passion peculiar perfect perhaps picture poet poet's poetic poetry present Princess Queen Quotes readers seems sense Shakespeare Shelley Simeon Stylites song soul speak spirit stanza story style sweet Swinburne things Thomas Malory thought tion touch true truth verse Vivien voice volume whole words Wordsworth write