Tennyson: The Critical HeritageJohn Davies Jump Routledge & K. Paul, 1967 - Počet stran: 464 |
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Strana 182
... perfect as they are , wasted and smothered among the surrounding fertility ; till we discover that they stand there , not merely for the sake of their intrinsic beauty , but serve to call back the reader's mind , at every pause in the ...
... perfect as they are , wasted and smothered among the surrounding fertility ; till we discover that they stand there , not merely for the sake of their intrinsic beauty , but serve to call back the reader's mind , at every pause in the ...
Strana 284
... perfect , model of the pure style in the literary expression of typical sentiment ; and one not perfect , but gigantic and close approxima- tion to perfection , in the pure delineation of objective character . Words- worth , perhaps ...
... perfect , model of the pure style in the literary expression of typical sentiment ; and one not perfect , but gigantic and close approxima- tion to perfection , in the pure delineation of objective character . Words- worth , perhaps ...
Strana 382
... perfect courage , perfect love , and perfect faith is still dominant , and all Arthur's knights are aiding him in redeeming the earth and the souls of men from the tyranny of brutal instincts and the lawless caprice of human self - will ...
... perfect courage , perfect love , and perfect faith is still dominant , and all Arthur's knights are aiding him in redeeming the earth and the souls of men from the tyranny of brutal instincts and the lawless caprice of human self - will ...
Obsah
W J FOX on Poems Chiefly Lyrical 1830 1831 | 21 |
A H HALLAM on Poems Chiefly Lyrical 1830 1831 | 34 |
CHRISTOPHER NORTH on Poems Chiefly Lyrical | 50 |
Autorská práva | |
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admiration Æneid Alfred Alfred de Musset Alfred Tennyson Arthur Arthurian artist beauty called character charm colour criticism death deep delight delineation doubt dream emotion English Enoch Arden expression exquisite eyes faith fancy feeling garden genius Gerard Manley Hopkins give Guinevere heart Homer hope human idea ideal Idylls imagination intellect Keats kind King King Arthur Lady of Shalott Lancelot language less lines living Locksley Hall Lord Tennyson lyrical Maud means melody Memoriam mind mood moral nature never night noble object once Palace of Art Parnassian passage passion peculiar perfect perhaps picture poet poet's poetic poetry present Princess Queen Quotes readers seems sense Shakespeare Shelley Simeon Stylites song soul speak spirit stanza story style sweet Swinburne things Thomas Malory thought tion touch true truth verse Vivien voice volume whole words Wordsworth write