ALL IN THE DARK: A Winter's Tale, in
Four Parts. By J. S. LE FANU. Chap.
I., Gilroyd Hall and its Mistress; Chap.
II., A Letter; Chap. III., Miss Dinah
Perfect and her Guests; Chap. IV.,
Violet Darkwell; Chap. V., Aunt Dinah
is in the Horrors, and Captain Drake
puts his Nightcap in his Pocket; Chap.
VI., In which the Witches Assemble;
Chap. VII., The Familiar Speaks; Chap.
VIII., William Maubray's Vision; Chap.
IX., In which Miss Violet says what she
thinks of Mr. Vane Trevor, and is Violet
no longer; Chap. X., Vane Trevor is
Discussed and Appears, page 198. Chap.
XI., Under the Chestnuts; Chap. XII.,
Croquet; Chap. XIII., Unsociable;
Chap. XIV., A Sunny Morning; Chap.
XV., Dinner at Revington; Chap. XVI.,
Over their Claret; Chap. XVII., Moon-
shine; Chap. XVIII., Supper; Chap.
XIX, Debate; Chap. XX., Farewell;
Chap. XXI., William Consults a Sage;
Chap. XXII., An Advertisement; Chap.
XXIII., Kincton Hall; Chaps. XXIV.,
XXV., William Maubray Arrives; Chap.
XXVI., William Maubray begins to ex-
cite an Interest, page 310.

Chap.

XXVII., From Kincton to Gilroyd;
Chap. XXVIII., The Piping Bullfinch;
Chap XXIX., A Message in the "Ri-
vals;" Chap. XXX., The Lord of Bur-
leigh; Chap. XXXI., A Friend Appears;
Chap. XXXII., A Confidence; Chap.
XXXIII., The Ladies make Inquisition;
Chap. XXXIV., Trevor and Maubray
in the Drawing-room; Chap. XXXV.,
They Converse; Chap. XXXVI., The
Evening; Chap. XXXVII., Vane Trevor
at the Gate of Gilroyd; Chap. XXXVIII.,
Vane Trevor walks down to see Miss
Violet; Chap. XXXIX., Vane Trevor
opens his Mind; Chap. XL., Miss
Kincton Knox proposes a Walk with
William; Chap. XLI., How they Talked;
Chap. XLII.,Confidences; Chaps. XLIII.,
XLIV., Back to Cambridge; Chap.
XLVI., Violet Darkwell at Gilroyd
again, page 422. Chap. XLVII., Miss
Perfect's Toilet; Chap. XLVIII., The
Prodigal; Chap. XLIX., "After Death
my Ghost shall haunt you;" Chap. L.,
Violet and William in the Drawing-
room; Chap. LI., A Dream; Chap. LII.,
Next Morning; Chap. LIII., The
Flower; Chap. LIV., Doctor Drake goes
to Gilroyd; Chap. LV., Suspense; Chap.
LVI., Some Particulars; Chap. LVII.,
Doctor Wagget, Further Particulars;
Chap. LVIII., Revington Flowers; Chap.
IX., Vane Trevor sees Miss Violet;
ap. LX., The Momentous Question;

LXI., A Doubt Troubles Maubray,

page 557. Chaps. XLII., XLIII., The
Furniture begins to Talk; Chap. LXIV.,
William Maubray is Tormented; Chap.
LXV., An Ambuscade; Chap. LXVI.,
Pursuit; Chap. LXVII., The Ghost Re-
appears; Chap. LXVIII., The Phantom
is Tracked; Chap. LXIX., Some Small
Events and Flaws; Chap. LXX, Wil-
liam Maubray in London; Chap. LXXI.,
Violet Darkwell tells Miss Wagget that
Queen Anne is Dead; Chap. LXXII.,
The Chimes of Saxton, page 617.
Ancient Art, Caricature in, 98.
Balzac in Undress: The Jardies; Balzac
at Tea; The Seal Ring of the Prophet;
More Golden Dreams; The Wonderful
Walnut Tree; Balzac's Famous Debts;
Balzac and the Garde Champetre; The
Jardies in a State of Siege; Balzac's
Night Walks; Balzac as a Botanist;
Balzac in search of an expressive Name;
Balzac as Feuilletonist; Balzac takes
a Collaborateur; Balzac as Dramatist-
"Vautrin,"
," Les Ressources de Quinola,
603-17.

BEATRICE: By Hyacinth Con Carolan.
Scene The Island of Torcello; the
Fisherman's Cottage, 110; a Rich Cham-
ber in the Palazzo of Neræa, 113.
Brehon Manuscripts, The, 13.
Caricature in Ancient Art: Transcendental
Causes of Laughter; Vulgar Causes of
Laughter; Caricature in Egypt; Car-
icature among the Greeks; Our Obliga-
tions to Pliny; What we Owe to the
Frescoes; Sterne's Obligations to the
Antique; How the Crisbet and the Fox
figured in the Frescoes; Noxious Insects
in Amber; the Ancestors of the Lilli-
putians; the Ceramic Art in Gaul; Our
Own Legacies (?) to Posterity; the
Author of Ancient Caricature - 98-
109.

Carols from the Cancioneros: By Denis
Florence MacCarthy, 687.

Cattle Disease of 1744, The, 350.
Charing-Cross Cigar, A.: By Mortimer
Collins, 463.

Cowardice and Courage: an Essay, 586.
Dreams, Omens, and Predictions, 506.
English Monachism, Rise and Progress of,
24, 151, 403, 643.

Episodes of the Irish Jacobite Wars, Some,

699.

Fenianism: Its antecedents; the position of
the Roman Catholic Clergy with regard
to it; its American calculations; the
effect on it of the close of the Civil Strife
in America; the "Moderate Party" in
Ireland, 116-120.
Fenian Conspiracy, The, in England and

Ireland: Story of the Plot; the Incep-
tion and Development of the Conspiracy

in Ireland; Proceedings of the Govern-
ment: Difficulty in obtaining Information;
how Evidence arose: Stephens's Share in
the Plan; the Arrest and Escape of
Stephens; his personal history: Phoenix-
ism; the Burial of M Manus in Dublin;
the Trials at the Special Commission and
their Results, 464-480.

Folk-Books of France, The: The Parables
of Father Boneventure: Cures by
Charms; Specimens of Bad Confessions;
Our Lady of Liesse: Legend of St.
Hubert; the Dance of Death; Complete
Letter-Writers; the Science of Slang;
Romances, Novels, and Stories, 243.
Garrick-Part II., 85. Part III., 274.
Part IV., 384.

Girl's Resolve, A: A Sonnet by Minna
Mabel Collins, 97.

Glastonbury Abbey, Past and Present:
Part I., The Rise of the Benedictines,
24; Part II., From Augustine to Dun-
stan, 151; Part III, From Dunstan to
the Norman Conquest, 403; The Saxons,
643.

Irish Folk-Books of the Last Century: The
Battle of Aughrim; The New History
of the Trojan Wars, and Troy's Destruc-
tion; The Irish Rogues and Rapparees,
532.

Imposture and Credulity, 218.
Laws of the Ancient Irish, 3.
Le Monde des Coquins-The World of
Rogues; Causes of Crime, assumed and
real; Economy of the Kingdom of Scoun-
drels; Statistics of Crime in France;
Phrenology in the Prison; Heideker,
the Man-Lion; Thieves' Argot; Odious
Comparisons; Dens of the Ancient
Thieves, 363-373.

Moderate Party in Ireland, The, 116.
NUMBER FIVE, BROOKE-STREET: By the
Author of "Bella Donna," " Never For-
gotten." Chaps. III., IV., The Valley,
16; Chap. V., Lord John; Chap. VI.,
In the Library, "The Short Way;"
Chap. VII., Lord John and Mrs. Lepell;
Chap. VIII., The Drive, 174-184;
Chap. IX., Plans for the Night, 285;
Chap. X, The Charades, 396; Chap.
XI., The Charades, continued; Chap.
XII., An Arrival; Chap. XIII., The
New Guests; Chap. XIV., A Busy Day;
Chap. XV., An Explosion, 635.
NOT WISELY, BUT TOO WELL: A Tale.
Chaps. XX. to XXIII., 44 to 63; Chaps.
XXIV., XXV., 140; Chap. XXVI.,
260; Chap. XXVII., 373; Chap.,
XXVIII.,497; Chaps. XXIX. to XXXI.,

Opening Session. The :-The Origin of
Reform Bill; Estimate of Lord Buse
Government: Position of Nations Chem
in Ireland: Top-heavy" from Exce
of Dignities: The Middle Party-235
Out-door Spectacles of Old Paris The
Doings of the Confraternities: The Es
and Fall of the Confraternity of
Passion; The Three Kings of the Cit
Farceurs and their Successors: Charla-
tans and Operators: A Word about the
Dentists; Latter-day Parades: Pa-
formers on the Rope; The Old Fairs-
123-139.

Paris, Streets of, and Their Traditions :—
Lament for the Levelled Houses of Paris,
Montmartre; The Conspiracy of the
Quai de Chaillot; The King of Rome's
Court Palace; La Palais de La Legi
D'Honneur; The Archeology of the
Paris Rat; Le Cafe de la Regence:
Legendary Paris; The Author of the
Paris Chronicles and Legends-483-497.
Percy Bysshe Shelley-his Life and Char-
acter, 292.

"Phoenixism" in Ireland in 1859, History
of, 464.
POETRY:-Beatrice-a Verse Drama, 113;
Oak Leaves and Mould, II., 593; A
Charing-Cross Cigar, 463; The Frank-
enstein Picture, 234; A Girl's Resolve,
97; Sonnet, 642; The Cancioneros, Carols
from; by Denis Florence MacCarthy, 697.
Reform Bill of 1866, The-Political
Essay; Apathy of the Country; Mr.
Gladstone's Position; the Palmerston-
ian Influence, 597.

Rinderpest in England, The; Ancient
Cattle Diseases; the Cattle Disease of
1744; Extraordinary Methods of Cure;
the Measures of the Government; Iden-
tity of the Form of Disease then wit-
nessed to that of the year 1866; the
Measures of the French and other
Governments, 350-360.

Rise and Progress of Fenianism, 464.
The Frankenstein Picture. By Mortimer
Collins, 234.

Three Cynical Spectators: Part I.-Gul-
liver, Candide, Teufelsdröckh, 64. Part
II., 184.

Tinted Sketches in Madeira- the Flight to
the Mount; the Festival; the First
Evening of the Feast, and the Last; the
Cave, 75.

Transition Age from Cæsar to Christ,
Scenes in; Rome-a Plebeian Street;
Flidais and Siorna; Locusta's Present,
324; Sabina Poppa's Dressing-room;
the Agape; Rome, 543; continued, 665.
Vines and Wines, 458

Wild Geese on the Wing, The, 273.