 There are, so far as I know, three ways, and three ways only, of writing a story. You may take a plot and fit characters to it, or you may take a character and choose incidents and situations to develop it, or lastly — you must bear with me while I...  The Life of Robert Louis Stevenson - Strana 167autor/autoři: Sir Graham Balfour - 1901Úplné zobrazení - Podrobnosti o knize
 | Arthur Cayley Headlam - 1902 - 564 str.
...and fit characters to it, or you may take a character and choose incidents and situations to derelop it ; or, lastly — you must bear with me while I...form)— " you may take a certain atmosphere and get actions and persons to express and realise it. I'll give you an example — The Merry Men. There I... | |
 | 1919 - 858 str.
...studies in the form of fiction. His method, perhaps, is primarily like the one Stevenson owned to using: "You may take a certain atmosphere and get action and persons to express it and realize it. I'll give you an example — 'The Merry Men'. There I began with the feeling of... | |
 | Robert Louis Stevenson - 1901 - 298 str.
...Andrew Lang, p. 231, 2nd edition 1897. There is much about James Mohr in the introduction to Rob R<p. choose incidents and situations to develop it, or...get action and persons to express and realise it. I '11 give you an example — The Merry Men. There I began with the feeling of one of those islands on... | |
 | Bliss Perry - 1902 - 426 str.
...only, of writing a story. Yon may take a plot and fit characters to it, or you may take a character and choose incidents and situations to develop it, or...atmosphere and get action and persons to express and realize it. I '11 give you an example — The Merry Men. There I began with the feeling of one of those... | |
 | Bliss Perry - 1902 - 428 str.
...only, of writing a story. Yon may take a plot and fit characters to it, or you may take a character and choose incidents and situations to develop it, or...trying to shape something and give it outline and form) — ' yon may take a certain atmosphere and get action and persons to express and realize it. I '11... | |
 | Bliss Perry - 1902 - 448 str.
...it, or yon may take a character and choose incidents and situations to develop it, or lastly — yon must bear with me while I try to make this clear '...trying to shape something and give it outline and form) — ' yon may take a certain atmosphere and get action and persons to express and realize it. I '11... | |
 | Bliss Perry - 1902 - 442 str.
...yon may take a character and choose incidents and situations to develop it, or lastly — you mns* bear with me while I try to make this clear ' — (here he roade a gesture with his hand as if he were trying to shape something and give it outline and form)... | |
 | Robert Louis Stevenson - 1905 - 294 str.
...Lang, p. 231, and edition 1897. There is much about James Mohr in the introduction to Rob Roy, 168 choose incidents and situations to develop it, or...get action and persons to express and realise it. I 'II give you an example — The Merry Men. There I began with the feeling of one of those islands on... | |
 | Gertrude Buck, Elisabeth Woodbridge Morris - 1906 - 234 str.
...Three starting- You may take a plot and fit characters points. to jt, or you may take a character and choose incidents and situations to develop it, or...must bear with me while I try to make this clear— you may take a certain atmosphere and get action and persons to express and realize it. " * Illustration... | |
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