Shakespeare in Fact and in CriticismW. E. Benjamin, 1888 - Počet stran: 355 |
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Výsledky 1-5 z 29
Strana 8
... turning to ' Love's Labour's Lost ' and the ' Comedy of Errors ' after it , the absurdity was too apparent . " Or again ( for- getting that " Titus Andronicus " was , as a specta- cle , much more to the taste of Elizabethan mixed ...
... turning to ' Love's Labour's Lost ' and the ' Comedy of Errors ' after it , the absurdity was too apparent . " Or again ( for- getting that " Titus Andronicus " was , as a specta- cle , much more to the taste of Elizabethan mixed ...
Strana 18
... turn the knowledge to gold , are not conflicting . The only difference between Mr. Fleay and myself I can draw from the " Shakespeare Manual " is that I am not sure that Mr. Fleay's man of shrewd and ready wit , who made these plays ...
... turn the knowledge to gold , are not conflicting . The only difference between Mr. Fleay and myself I can draw from the " Shakespeare Manual " is that I am not sure that Mr. Fleay's man of shrewd and ready wit , who made these plays ...
Strana 25
... . They will be found to contain errors and blem- ishes . Let them be so , and do not encourage infatuated worshipers to turn defects into beau- ties . Nature is full of imperfections , and , AND HIS ESTHETIC CRITICS . 25.
... . They will be found to contain errors and blem- ishes . Let them be so , and do not encourage infatuated worshipers to turn defects into beau- ties . Nature is full of imperfections , and , AND HIS ESTHETIC CRITICS . 25.
Strana 33
... turn in all societies . In the club - house we meet three or four of a morn- ing ; in the park see them meditating by the Ser- pentine or under a tree in Kensington Gardens ; no dinner - table is without one or two ; in the theater you ...
... turn in all societies . In the club - house we meet three or four of a morn- ing ; in the park see them meditating by the Ser- pentine or under a tree in Kensington Gardens ; no dinner - table is without one or two ; in the theater you ...
Strana 41
... weaving and an ever - growing web . Those to whom it speaks cannot choose but weave and speak in turn , passing ever and always onward the message they themselves have heard . O terque quaterque MUCH ADO ABOUT SONNETS . 41.
... weaving and an ever - growing web . Those to whom it speaks cannot choose but weave and speak in turn , passing ever and always onward the message they themselves have heard . O terque quaterque MUCH ADO ABOUT SONNETS . 41.
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actors Amicus Curiæ Amleth appears audience authorship Baconian Baconian theory believe called certainly character cipher circumstantial comedy court Davenant death dedicated Donnelly doubt dramatist Duke edition Elizabethan England English fact Falstaff father Folio Francis Bacon friends Furnivall Hamlet hand Heminges and Condell Henry honor John Fastolfe Julius Cæsar King lawyer lines literary London Lord Love's Labour's Lost madness matter ment Merry Wives murder never once Ophelia perhaps plaintiff poems poet Portia prince Prince Hamlet printed printers quarto queen reason record rhyme says scene seems Shakespeare plays Shakespeare Society Shakespearean authorship Sir John Oldcastle sonnets Southampton speare speare's speech stage statute Stratford supposed theater theory thing thou tion title-page Titus Titus Andronicus to-day tragedy Venus and Adonis verse verse-tests William Shake William Shakespeare Winter's Tale Wives of Windsor words write written wrote