Keats's Shakespeare: A Descriptive StudyClarendon Press, 1966 - Počet stran: 178 |
Vyhledávání v knize
Výsledky 1-3 z 37
Strana 11
... nature , and association with music . He is naturally enchanted with his songs , especially the first four lines of Come unto these yellow sands , he marks many of his speeches , often doubly or even trebly ( as I. ii . 190–3 , 222–4 ) ...
... nature , and association with music . He is naturally enchanted with his songs , especially the first four lines of Come unto these yellow sands , he marks many of his speeches , often doubly or even trebly ( as I. ii . 190–3 , 222–4 ) ...
Strana 11
... nature , his curses , his language . We must remember that during these months of April and May 1817 , when Keats was saturating himself in Shakespeare and especi- ally in The Tempest , his mind and imagination were aflame with his own ...
... nature , his curses , his language . We must remember that during these months of April and May 1817 , when Keats was saturating himself in Shakespeare and especi- ally in The Tempest , his mind and imagination were aflame with his own ...
Strana 40
... nature , we can read in his letters , the evidence in which Mr. Murry has interpreted and developed into a moving and convincing narrative.3 The return , after bitter anguish and struggle , to his natural self is expressed in the great ...
... nature , we can read in his letters , the evidence in which Mr. Murry has interpreted and developed into a moving and convincing narrative.3 The return , after bitter anguish and struggle , to his natural self is expressed in the great ...
Další vydání - Zobrazit všechny
Keats's Shakespeare: A Descriptive Study Based on New Material Caroline Frances Eleanor Spurgeon Zobrazení fragmentů - 1928 |
Běžně se vyskytující výrazy a sousloví
Achil Agamemnon Antony and Cleopatra beauty breath Cæsar Caliban Char Charmian Cleo Cres death delight dost doth Duke ears earth Endymion Enter Euen euery Exeunt Exit eyes fair fairy fear folio edition giue Hampstead hand hath haue hear heart heaven Hect Hector hither imagination IRAS Isab Joseph Severn Keats KEATS'S NOTE Keats's script King Lear kiss letter lines look Lord loue Lucio marked master Measure for Measure Midsummer Night's Dream nature Nestor night noble PANDARUS passage Plate play poem poetry Pros Prospero Puck queen Re-enter ARIEL SCENE Severn Shakespeare Shakespearian side-marks sleep sonnet soule sound speak speech spirit strange sweet Sycorax tell Tempest thee thine thing thou art thou hast thou shalt thought Tita Titania TITUS ANDRONICUS tongue Troilus and Cressida Troy underlined Vlis volume weep winds Winter's Tale