Criticism in AntiquityDuckworth, 1981 - Počet stran: 219 |
Vyhledávání v knize
Výsledky 1-3 z 22
Strana 23
... represented as something she could not possibly be expected to resist . It has to be credited with the greatest possible emo- tional power . Now the emotional impact of poetry — its power to terrorise and sweep us off our feet — is , as ...
... represented as something she could not possibly be expected to resist . It has to be credited with the greatest possible emo- tional power . Now the emotional impact of poetry — its power to terrorise and sweep us off our feet — is , as ...
Strana 90
... represented on the stage or in fiction is likely to intensify our natural tendencies and weaknesses . Indeed , the better the poetry , the worse the moral effect . 6 This tradition had a long history , but was none the less some- times ...
... represented on the stage or in fiction is likely to intensify our natural tendencies and weaknesses . Indeed , the better the poetry , the worse the moral effect . 6 This tradition had a long history , but was none the less some- times ...
Strana 164
... represented noble actions and those of like persons , the viler sort ( eutelesteroi ) represented those of inferior per- sons , first composing invectives , as the other group composed hymns and encomia.18 There follows a piece of ...
... represented noble actions and those of like persons , the viler sort ( eutelesteroi ) represented those of inferior per- sons , first composing invectives , as the other group composed hymns and encomia.18 There follows a piece of ...
Obsah
from the Beginnings | 18 |
the Hellenistic | 34 |
the Roman Empire | 52 |
Autorská práva | |
Další části 4 nejsou zobrazeny.
Běžně se vyskytující výrazy a sousloví
Aeschylus ancient antiquity appears appropriate argument Aristotle Aristotle's audience called century Chapter character Cicero classical clear clearly comedy comes common concerned course criticism Demosthenes dialogue Dionysius discussion distinction doctrine early effect element emotion epic especially evidence example expression fact figures give Greek hand Hellenistic Homer idea imitation important inspiration interest involves judgment kind knowledge language later Latin less literary literature Longinus means mind moral namely narrative natural orator oratory passage perhaps period persons philosophical Plato play poems poet Poetics poetry practice present principles prose qualities question Quintilian reason regarded relation represented rhetorical Roman seems seen sense sophists speech style takes taste texts theory things thinking thought tion tradition tragedy understanding various Virgil whole writers