 | Sir Joshua Reynolds, Edmond Malone - 1801 - 440 str.
...forms, local customs, particularities, and details of every kind. All the objects which are exhibited to view by nature, upon close examination will be found...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | 1907 - 584 str.
...clue to the greatest movement in English art we cannot do better than quote the passage in full — ' all the objects which are exhibited to our view by...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 430 str.
...particular and uncommon, can be acquired only by experience : and the whole beauty and grandeur of the art consists, in my opinion, in being; able to get above...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Sir Joshua Reynolds, Edmond Malone - 1819 - 614 str.
...particular and uncommon, can be acquired only by experience ; and the whole beauty and grandeur of the art consists, in my opinion, in being able to get above...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Sir Joshua Reynolds - 1819 - 610 str.
...art consists, in my opinion, in being able_to get above all singular _ customs,particularities,^nd details of every^ kind. All the objects which are...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Sir Joshua Reynolds - 1824 - 332 str.
...particular and uncommon, can be acquired only by experience ; and the whole beauty and grandeur of the art consists, in my opinion, in being able to get above...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | sir Joshua Reynolds - 1824 - 332 str.
...particular and uncommon, can be acquired only by experience ; and the whole beauty and grandeur of the art consists, in my opinion, in being able to get above...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Buonarroti - 1828 - 24 str.
...venture, in conclusion, to offer a few words of advice, in the language of Sir Joshua Reynolds ; " All the objects which are exhibited to our " view...something about " them like weakness, minuteness, or imper" fection. But it is not every eye that perceives " these blemishes. It must be an eye long ac"... | |
 | sir Joshua Reynolds - 1835 - 726 str.
...able to get above all singular forms, local customs, particularities, and details of every kind. AH the objects which are exhibited to our view by Nature,...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Donald Walker - 1836 - 336 str.
...the objects," says Sir J. Reynolds, the originator of the erroneous principles now to be noticed, " which are exhibited to our view by nature, upon close...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
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All the objects which are exhibited to our view by nature, upon close examination will be found to have their blemishes and defects. The most beautiful forms have something about them like weakness, minuteness, or imperfection. But it is not every eye... 
