Shakespeare at the Cineplex: The Kenneth Branagh EraOhio University Press, 2003 - Počet stran: 254 Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.” The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance. |
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Strana 140
... imagination summarized in M. H. Abrams's seminal work about romanticism , The Mirror and the Lamp . Branagh's films , most especially his Hamlet , regard the imagination as both mirror ( presenting a selected and ordered reflection of ...
... imagination summarized in M. H. Abrams's seminal work about romanticism , The Mirror and the Lamp . Branagh's films , most especially his Hamlet , regard the imagination as both mirror ( presenting a selected and ordered reflection of ...
Strana 160
... imagination , not some slice of the Warwick- shire countryside . In fact , I think her Arden works least well when she jokingly tries to have it both ways — for example , having Corin lead a sheep about on a leash ( why not give him a ...
... imagination , not some slice of the Warwick- shire countryside . In fact , I think her Arden works least well when she jokingly tries to have it both ways — for example , having Corin lead a sheep about on a leash ( why not give him a ...
Strana 179
... imaginative means of presenting the text's clash between the worlds of day and night , court and fairyland , reality and imagination , onstage and backstage , but it proves to be " brief as the lightning in the collied night " ( 1.1.145 ) ...
... imaginative means of presenting the text's clash between the worlds of day and night , court and fairyland , reality and imagination , onstage and backstage , but it proves to be " brief as the lightning in the collied night " ( 1.1.145 ) ...
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Shakespeare at the Cineplex: The Kenneth Branagh Era Samuel Crowl Náhled není k dispozici. - 2003 |
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