Explorations in Renaissance Culture, Svazek 27South Central Renaissance Conference., 2001 |
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Strana 187
... artist was paid 500 scudi for his portrait of the Emperor . 16 We should notice that the sum paid to each artist , 500 scudi , is far greater than the 150 scudi Federico Gonzaga was said to have given Titian for his first portrait of ...
... artist was paid 500 scudi for his portrait of the Emperor . 16 We should notice that the sum paid to each artist , 500 scudi , is far greater than the 150 scudi Federico Gonzaga was said to have given Titian for his first portrait of ...
Strana 193
... artist's skill . The Anonimo , then , seems to have intended his story of the lifelike horse in the portrait of Charles to suggest a likeness be- tween Titian and Apelles . Both artists painted equestrian portraits of their exalted ...
... artist's skill . The Anonimo , then , seems to have intended his story of the lifelike horse in the portrait of Charles to suggest a likeness be- tween Titian and Apelles . Both artists painted equestrian portraits of their exalted ...
Strana 196
... artist . This act not only conveys the close relationship that existed between Titian and the Emperor but also suggests that Charles was paying honor both to the artist's noble character and to his profession and the instrument of his ...
... artist . This act not only conveys the close relationship that existed between Titian and the Emperor but also suggests that Charles was paying honor both to the artist's noble character and to his profession and the instrument of his ...
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