The Critical Review, Vydání 33–35

action appearance argues become begin believe better Boswell British calls character claim collaboration conception concern constituted context conventions course criticism cultural Derrida Dickens discussion Edith effect Eliot English essay ethical example experience expression fact feel force George give given hand horses human idea imagination important individual inspiration interest issue Johnson kind language least less literary literature living London look matter means mind moral narrative nature never notion novel object Oxford particular passion perhaps person philosophical play poem poetry poets political possible practice present principle problem question reader reading reason referred relation response seems sense situation social speak story suggest tell theory things thought tradition true truth turn understanding University University Press voice women writing York