Shakespeare's Comedy Love |
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Strana 168
If we compare this with the opening combat between Beatrice and Benedick , we find tight rhymed verse replaced by flexible prose ; we find also that beneath the exchange of ideas we can detect a deeper interplay of minds .
If we compare this with the opening combat between Beatrice and Benedick , we find tight rhymed verse replaced by flexible prose ; we find also that beneath the exchange of ideas we can detect a deeper interplay of minds .
Strana 178
It is part of the realism of the scene that Benedick cannot surrender an old friendship as swiftly or easily as Claudio can renounce his love . But , paradoxically , this touch also unites the two plots , showing Benedick , like Claudio ...
It is part of the realism of the scene that Benedick cannot surrender an old friendship as swiftly or easily as Claudio can renounce his love . But , paradoxically , this touch also unites the two plots , showing Benedick , like Claudio ...
Strana 179
At the bottom of this episode lies a conventional love story pattern : Benedick must prove his worthiness as a lover by proving his manhood . This is something more basic – more primitive , even – than the conventions of the Claudio ...
At the bottom of this episode lies a conventional love story pattern : Benedick must prove his worthiness as a lover by proving his manhood . This is something more basic – more primitive , even – than the conventions of the Claudio ...
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Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
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Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision
Bibliografické údaje
| Název | Shakespeare's Comedy Love |
| Autor | Alexander Leggatt |
| Vydáno | 1974 |
| Exportovat citaci | BiBTeX EndNote RefMan |