Shakespeare's Comedy Love |
Vyhledávání v knize
Výsledky 1-3 z 18
Strana 168
If we compare this with the opening combat between Beatrice and Benedick , we
find tight rhymed verse replaced by flexible prose ; we find also that beneath the
exchange of ideas we can detect a deeper interplay of minds . Benedick strikes ...
If we compare this with the opening combat between Beatrice and Benedick , we
find tight rhymed verse replaced by flexible prose ; we find also that beneath the
exchange of ideas we can detect a deeper interplay of minds . Benedick strikes ...
Strana 178
It is part of the realism of the scene that Benedick cannot surrender an old
friendship as swiftly or easily as Claudio can renounce his love . But ,
paradoxically , this touch also unites the two plots , showing Benedick , like
Claudio , in danger of ...
It is part of the realism of the scene that Benedick cannot surrender an old
friendship as swiftly or easily as Claudio can renounce his love . But ,
paradoxically , this touch also unites the two plots , showing Benedick , like
Claudio , in danger of ...
Strana 179
At the bottom of this episode lies a conventional love story pattern : Benedick
must prove his worthiness as a lover by proving his manhood . This is something
more basic - more primitive , even - than the conventions of the Claudio plot .
At the bottom of this episode lies a conventional love story pattern : Benedick
must prove his worthiness as a lover by proving his manhood . This is something
more basic - more primitive , even - than the conventions of the Claudio plot .
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
The Comedy of Errors I | 1 |
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited live London look lord lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando Orsino pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision
Bibliografické údaje
| Titul | Shakespeare's Comedy Love |
| Autor | Alexander Leggatt |
| Vydáno | 1974 |
| Exportovat citaci | BiBTeX EndNote RefMan |