Shakespeare's Comedy Love |
Vyhledávání v knize
Výsledky 1-3 z 25
Strana 155
mind with sententious clichés , so Claudio talks himself into abandoning Hero : ' Tis certain so : the Prince woos for himself . Friendship is constant in all other things Save in the office and affairs of love ; Therefore all hearts in ...
mind with sententious clichés , so Claudio talks himself into abandoning Hero : ' Tis certain so : the Prince woos for himself . Friendship is constant in all other things Save in the office and affairs of love ; Therefore all hearts in ...
Strana 161
Our engagement with Claudio and Hero as individuals is further restrained by the manner in which our attention is kept off the slandered bride . Her speeches are few and brief , and her main reaction is to faint - a simple theatrical ...
Our engagement with Claudio and Hero as individuals is further restrained by the manner in which our attention is kept off the slandered bride . Her speeches are few and brief , and her main reaction is to faint - a simple theatrical ...
Strana 166
Moreover , if Hero's role as a creature of the action makes her helpless in the church scene , it gives her a special impressiveness in the finale . The Friar , urging patience , has predicted ' But on this travail look for greater ...
Moreover , if Hero's role as a creature of the action makes her helpless in the church scene , it gives her a special impressiveness in the finale . The Friar , urging patience , has predicted ' But on this travail look for greater ...
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
Další části 9 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision