Shakespeare's Comedy Love |
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Strana 63
4 Love's Labour's Lost With its dance movements , its wit combats and its
symmetrical teams of wooers , Love's Labour's Lost may claim to be
Shakespeare's most formal play . The awareness of convention that
characterized The Taming of the ...
4 Love's Labour's Lost With its dance movements , its wit combats and its
symmetrical teams of wooers , Love's Labour's Lost may claim to be
Shakespeare's most formal play . The awareness of convention that
characterized The Taming of the ...
Strana 71
3 See Bobbyann Roesen ( Anne Barton ) , ' Love's Labour's Losť , Shakespeare
Quarterly , IV ( October 1953 ) , p . 414 ; here the scene is compared to the scene
in Measure for Measure where Elbow brings Pompey for trial , and demonstrates
...
3 See Bobbyann Roesen ( Anne Barton ) , ' Love's Labour's Losť , Shakespeare
Quarterly , IV ( October 1953 ) , p . 414 ; here the scene is compared to the scene
in Measure for Measure where Elbow brings Pompey for trial , and demonstrates
...
Strana 207
As we saw in Love's Labour's Lost , love's dependence on conventional
expression makes it vulnerable to mockery . This is also true in As You Like It :
Orlando's verse is bad enough , and Touchstone's parody shrewdly points out its
reliance ...
As we saw in Love's Labour's Lost , love's dependence on conventional
expression makes it vulnerable to mockery . This is also true in As You Like It :
Orlando's verse is bad enough , and Touchstone's parody shrewdly points out its
reliance ...
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Obsah
The Comedy of Errors I | 1 |
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
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Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited live London look lord lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando Orsino pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision
Bibliografické údaje
| Titul | Shakespeare's Comedy Love |
| Autor | Alexander Leggatt |
| Vydáno | 1974 |
| Exportovat citaci | BiBTeX EndNote RefMan |