Shakespeare's Comedy Love |
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4 Love's Labour's Lost With its dance movements , its wit combats and its symmetrical teams of wooers , Love's Labour's Lost may claim to be Shakespeare's most formal play . The awareness of convention that characterized The Taming of ...
4 Love's Labour's Lost With its dance movements , its wit combats and its symmetrical teams of wooers , Love's Labour's Lost may claim to be Shakespeare's most formal play . The awareness of convention that characterized The Taming of ...
Strana 71
3 See Bobbyann Roesen ( Anne Barton ) , ' Love's Labour's Lost ' , Shakespeare Quarterly , IV ( October 1953 ) , p . 414 ; here the scene is compared to the scene in Measure for Measure where Elbow brings Pompey for trial ...
3 See Bobbyann Roesen ( Anne Barton ) , ' Love's Labour's Lost ' , Shakespeare Quarterly , IV ( October 1953 ) , p . 414 ; here the scene is compared to the scene in Measure for Measure where Elbow brings Pompey for trial ...
Strana 207
As we saw in Love's Labour's Lost , love's dependence on conventional expression makes it vulnerable to mockery . This is also true in As You Like It : Orlando's verse is bad enough , and Touchstone's parody shrewdly points out its ...
As we saw in Love's Labour's Lost , love's dependence on conventional expression makes it vulnerable to mockery . This is also true in As You Like It : Orlando's verse is bad enough , and Touchstone's parody shrewdly points out its ...
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Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
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Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision
Bibliografické údaje
| Název | Shakespeare's Comedy Love |
| Autor | Alexander Leggatt |
| Vydáno | 1974 |
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