Shakespeare's Comedy Love |
Vyhledávání v knize
Výsledky 1-3 z 26
Strana 90
The special , sophisticated awareness of the ladies in Love's Labour's Lost made the dislocations of that play critical and satiric . But in A Midsummer Night's Dream no character has that kind of awareness : each is locked in his own ...
The special , sophisticated awareness of the ladies in Love's Labour's Lost made the dislocations of that play critical and satiric . But in A Midsummer Night's Dream no character has that kind of awareness : each is locked in his own ...
Strana 94
One sign of this is that the lovers lack the conscious awareness of convention that distinguishes Berowne and the ladies in Love's Labour's Lost . They slip naturally into a stylized manner of speech : LYSANDER : Ay me !
One sign of this is that the lovers lack the conscious awareness of convention that distinguishes Berowne and the ladies in Love's Labour's Lost . They slip naturally into a stylized manner of speech : LYSANDER : Ay me !
Strana 98
The presence , and the comments , of other characters provide the awareness of convention that the lovers themselves lack , being too caught up in their own experiences . We see love's perceptions as special and limited , and the lovers ...
The presence , and the comments , of other characters provide the awareness of convention that the lovers themselves lack , being too caught up in their own experiences . We see love's perceptions as special and limited , and the lovers ...
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
Další části 9 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision