Shakespeare's Comedy Love |
Vyhledávání v knize
Výsledky 1-3 z 29
Strana 50
... more blatantly than is socially acceptable : I come to wive it wealthily in Padua ; If wealthily , then happily in Padua . ... but it is part of their decorum not to insist on them so brazenly ( though Baptista comes quite close ) .
... more blatantly than is socially acceptable : I come to wive it wealthily in Padua ; If wealthily , then happily in Padua . ... but it is part of their decorum not to insist on them so brazenly ( though Baptista comes quite close ) .
Strana 85
815 ) , are just as much a matter of literary convention as the courtship games they replace.11 The play comes full circle , ending as it began , with the taking of a vow . And while this convention or that may be ridiculed ...
815 ) , are just as much a matter of literary convention as the courtship games they replace.11 The play comes full circle , ending as it began , with the taking of a vow . And while this convention or that may be ridiculed ...
Strana 122
a a a some rather forced jokes to cover her decision to disguise herself as a boy , a decision we accept less easily here than in more purely stylized plays , or plays where the decision comes earlier , as part of the given material .
a a a some rather forced jokes to cover her decision to disguise herself as a boy , a decision we accept less easily here than in more purely stylized plays , or plays where the decision comes earlier , as part of the given material .
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
Další části 9 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision