Shakespeare's Comedy Love |
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Strana 147
But here the tone is lighter ; and throughout the final scene we are made to see the comic side of Bassanio's dilemma . The dialogue is patterned and repetitive , Gratiano and Nerissa add their usual comic symmetry , and when the women ...
But here the tone is lighter ; and throughout the final scene we are made to see the comic side of Bassanio's dilemma . The dialogue is patterned and repetitive , Gratiano and Nerissa add their usual comic symmetry , and when the women ...
Strana 222
1 - Here there is a stricter division , and a tighter logic – prose for comic or naturalistic effects , verse for formal and romantic ones . This reflects a firmer separation of romantic and comic figures : the plotlessness of As You ...
1 - Here there is a stricter division , and a tighter logic – prose for comic or naturalistic effects , verse for formal and romantic ones . This reflects a firmer separation of romantic and comic figures : the plotlessness of As You ...
Strana 241
The image Maria creates is a comic fraud , and draws out of Malvolio a feeling expressed by none of the serious lovers in the play - a smug satisfaction at being the object of love . We might notice , however , that the delight of his ...
The image Maria creates is a comic fraud , and draws out of Malvolio a feeling expressed by none of the serious lovers in the play - a smug satisfaction at being the object of love . We might notice , however , that the delight of his ...
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Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
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