Shakespeare's Comedy Love |
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Strana 66
... though his idea of what is appropriate to the figures of classical antiquity is
cheerfully incongruous : ' I'll make one in a ... a figure in a larger pattern.1 In The
Taming of the Shrew dependence on convention was simply accepted , and the
play ...
... though his idea of what is appropriate to the figures of classical antiquity is
cheerfully incongruous : ' I'll make one in a ... a figure in a larger pattern.1 In The
Taming of the Shrew dependence on convention was simply accepted , and the
play ...
Strana 155
153–61 ) Throughout the courtship , misunderstandings and all , Hero herself has
hardly anything to say : she is essentially a figure in the pattern , whose chief
dramatic function is to stand there and look beautiful . Claudio is characterized ,
but ...
153–61 ) Throughout the courtship , misunderstandings and all , Hero herself has
hardly anything to say : she is essentially a figure in the pattern , whose chief
dramatic function is to stand there and look beautiful . Claudio is characterized ,
but ...
Strana 222
This reflects a firmer separation of romantic and comic figures : the plotlessness
of As You Like It allowed a casual mingling ... Orsino's is dramatically simple – a
single figure surrounded by attendants , who except for Viola are functional and ...
This reflects a firmer separation of romantic and comic figures : the plotlessness
of As You Like It allowed a casual mingling ... Orsino's is dramatically simple – a
single figure surrounded by attendants , who except for Viola are functional and ...
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Obsah
The Comedy of Errors I | 1 |
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited live London look lord lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando Orsino pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision
Bibliografické údaje
| Titul | Shakespeare's Comedy Love |
| Autor | Alexander Leggatt |
| Vydáno | 1974 |
| Exportovat citaci | BiBTeX EndNote RefMan |