Shakespeare's Comedy Love |
Vyhledávání v knize
Výsledky 1-3 z 42
Strana 125
It is also a place where the conventional expressions of romantic love have become impossible . In earlier plays , the private , singleminded experience of love was dislocated by being placed against other experiences ; here , the ...
It is also a place where the conventional expressions of romantic love have become impossible . In earlier plays , the private , singleminded experience of love was dislocated by being placed against other experiences ; here , the ...
Strana 127
In Love's Labour's Lost romantic love was viewed with critical detachment ; but so too was the mockery that attacked it : both had to give way to time and death . While these issues are not so closely connected in The Merchant of Venice ...
In Love's Labour's Lost romantic love was viewed with critical detachment ; but so too was the mockery that attacked it : both had to give way to time and death . While these issues are not so closely connected in The Merchant of Venice ...
Strana 155
In most romantic comedies parents and friends are not so closely involved , or so sympathetic to young lovers , as they are here ; in this respect the courtship reflects Elizabethan realities . And while Claudio's chief interest in Hero ...
In most romantic comedies parents and friends are not so closely involved , or so sympathetic to young lovers , as they are here ; in this respect the courtship reflects Elizabethan realities . And while Claudio's chief interest in Hero ...
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
Další části 9 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision