Shakespeare's Comedy Love |
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Strana 79
379–82 ) If Berowne seems the most fully realized figure of the play , this may be because , like Petruchio , he embodies many of the play's processes in his own nature . Just as Petruchio was a creator , teacher and an entertainer ...
379–82 ) If Berowne seems the most fully realized figure of the play , this may be because , like Petruchio , he embodies many of the play's processes in his own nature . Just as Petruchio was a creator , teacher and an entertainer ...
Strana 172
304-7 ) The motive for the exit seems incredibly vague , unless we assume that Leonato senses Beatrice's feelings are ... When she is gone , the others talk of her gaiety , but now they seem to be talking about it a little too much ...
304-7 ) The motive for the exit seems incredibly vague , unless we assume that Leonato senses Beatrice's feelings are ... When she is gone , the others talk of her gaiety , but now they seem to be talking about it a little too much ...
Strana 261
Prospero , in The Tempest , may seem at first like an allknowing wizard controlling the plot ; but in fact his world is even harder to control than ... 450-2 ) - the conventional narrative design seems self - consciously imposed on the ...
Prospero , in The Tempest , may seem at first like an allknowing wizard controlling the plot ; but in fact his world is even harder to control than ... 450-2 ) - the conventional narrative design seems self - consciously imposed on the ...
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Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
Další části 9 nejsou zobrazeny.
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Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision
Bibliografické údaje
| Název | Shakespeare's Comedy Love |
| Autor | Alexander Leggatt |
| Vydáno | 1974 |
| Exportovat citaci | BiBTeX EndNote RefMan |