Shakespeare's Comedy Love |
Vyhledávání v knize
Výsledky 1-3 z 58
Strana 4
Taken out of context , the speech is passionate and earnest , idealistic in its view of marriage and urgent in its emotional response to the breaking of that ideal . But the context is all - important . Adriana's speech follows ...
Taken out of context , the speech is passionate and earnest , idealistic in its view of marriage and urgent in its emotional response to the breaking of that ideal . But the context is all - important . Adriana's speech follows ...
Strana 76
And the speech throughout has a surprising undercurrent of genuine feeling : the images of corruption and disease convey remorse and disgust . Yet Rosaline picks one word – one very small word – to show how far Berowne still is from ...
And the speech throughout has a surprising undercurrent of genuine feeling : the images of corruption and disease convey remorse and disgust . Yet Rosaline picks one word – one very small word – to show how far Berowne still is from ...
Strana 134
His speech is not in the least romantic : it consists of cool , slightly bitter commonplaces about the dangers of appearance , and it carries the sense of the insecurity of life that we remember from the world of Venice , and the ...
His speech is not in the least romantic : it consists of cool , slightly bitter commonplaces about the dangers of appearance , and it carries the sense of the insecurity of life that we remember from the world of Venice , and the ...
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
Další části 9 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision