Shakespeare's Comedy Love |
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Strana 14
The interest springs from a series of immediate , ad hoc effects – collisions of style , confrontations of character and we live from moment to moment , unconcerned , for the most part , with the larger sweep of the story .
The interest springs from a series of immediate , ad hoc effects – collisions of style , confrontations of character and we live from moment to moment , unconcerned , for the most part , with the larger sweep of the story .
Strana 157
( We may contrast this with , for example , Bandello's version of the story , where the slanderer wants the lady for himself . ) 3 Don John affects the play's world in a very special way . Deceiving not only Claudio but Don Pedro as ...
( We may contrast this with , for example , Bandello's version of the story , where the slanderer wants the lady for himself . ) 3 Don John affects the play's world in a very special way . Deceiving not only Claudio but Don Pedro as ...
Strana 188
But the reformed Oliver appears before us , and we are , made aware not just of his role in the story but of his nature as a character . The new gravity and calm of his manner suggest that he has grown up ; the example set by Orlando's ...
But the reformed Oliver appears before us , and we are , made aware not just of his role in the story but of his nature as a character . The new gravity and calm of his manner suggest that he has grown up ; the example set by Orlando's ...
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Obsah
The Comedy of Errors | 1 |
The Two Gentlemen of Verona | 46 |
The Taming of the Shrew | 47 |
Autorská práva | |
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Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision
Bibliografické údaje
| Název | Shakespeare's Comedy Love |
| Autor | Alexander Leggatt |
| Vydáno | 1974 |
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