Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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... Design . Also exhibits at American Academy of Fine Arts . Shows works at former throughout his life and at latter at ... Design on May 4. During same month a retrospective exhibition is held at Amer- Figure 1 GNARLED TREE TRUNK Ink on ...
... Design . Also exhibits at American Academy of Fine Arts . Shows works at former throughout his life and at latter at ... Design on May 4. During same month a retrospective exhibition is held at Amer- Figure 1 GNARLED TREE TRUNK Ink on ...
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... Design in the United States ( 1834 ) . John Trumbull , the artist , purchased the original Kaaterskill Falls , and Asher B. Durand , who inherited the leadership in landscape paint- ing after Cole died , bought the third painting ...
... Design in the United States ( 1834 ) . John Trumbull , the artist , purchased the original Kaaterskill Falls , and Asher B. Durand , who inherited the leadership in landscape paint- ing after Cole died , bought the third painting ...
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... Design , 8 , 48 Nationalism , American : and associationalism , 15 ; lit- erary , 15 , 40 ; and religion , 10 ... Designed by Bob Fillie Graphic Production by Ellen Greene Text set in 10 - point Baskerville DO NOT REMOVE OR MUTILATE CAR ...
... Design , 8 , 48 Nationalism , American : and associationalism , 15 ; lit- erary , 15 , 40 ; and religion , 10 ... Designed by Bob Fillie Graphic Production by Ellen Greene Text set in 10 - point Baskerville DO NOT REMOVE OR MUTILATE CAR ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City