Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Matthew Baigell. EXPULSION FROM THE GARDEN OF EDEN 1827-28 . Oil on canvas , 39 " x 54 " ( 99 x 137 cm ) . Museum of Fine Arts , Boston . M. and M. Karolik Collection . In the catalog of the Exhibition of Paintings of the Late Thomas ...
Matthew Baigell. EXPULSION FROM THE GARDEN OF EDEN 1827-28 . Oil on canvas , 39 " x 54 " ( 99 x 137 cm ) . Museum of Fine Arts , Boston . M. and M. Karolik Collection . In the catalog of the Exhibition of Paintings of the Late Thomas ...
Strana 50
Matthew Baigell. A TORNADO 1835. Oil on canvas , 46 % " x 64 % " ( 118 x 164 cm ) . The Corcoran Gallery of Art , Washington , D.C. Partly based on a similar scene exhibited in Lon- don in 1831 , A Tornado is one of Cole's wildest ...
Matthew Baigell. A TORNADO 1835. Oil on canvas , 46 % " x 64 % " ( 118 x 164 cm ) . The Corcoran Gallery of Art , Washington , D.C. Partly based on a similar scene exhibited in Lon- don in 1831 , A Tornado is one of Cole's wildest ...
Strana 66
Matthew Baigell. RIVER IN THE CATSKILLS 1843. Oil on canvas , 284 " x 411⁄4 " ( 72 x 105 cm ) . Museum of Fine Arts , Boston . With the advance of civilization , wilderness dis- appeared , but Cole , like others , wanted to have both ...
Matthew Baigell. RIVER IN THE CATSKILLS 1843. Oil on canvas , 284 " x 411⁄4 " ( 72 x 105 cm ) . Museum of Fine Arts , Boston . With the advance of civilization , wilderness dis- appeared , but Cole , like others , wanted to have both ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City