Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Matthew Baigell. LIST OF PLATES Plate 1 Plate 2 LAKE WITH DEAD TREES ( CATSKILL ) KAATERSKILL FALLS Page 29 31 Plate 3 FALLS OF THE KAATERSKILL 33 Plate 4 THE CLOVE , CATSKILLS 35 Plate 5 Plate 6 Plate 7 SUNNY MORNING ON THE HUDSON RIVER ...
Matthew Baigell. LIST OF PLATES Plate 1 Plate 2 LAKE WITH DEAD TREES ( CATSKILL ) KAATERSKILL FALLS Page 29 31 Plate 3 FALLS OF THE KAATERSKILL 33 Plate 4 THE CLOVE , CATSKILLS 35 Plate 5 Plate 6 Plate 7 SUNNY MORNING ON THE HUDSON RIVER ...
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... ( Plate 10 ) , he in- tended it to be the first painting in this five - part cycle ( see Plate 15 and Figures 4 , 5 , and 6 ) . It was to be followed by scenes of pastoral and luxurious life and then views of destruction and desolation ...
... ( Plate 10 ) , he in- tended it to be the first painting in this five - part cycle ( see Plate 15 and Figures 4 , 5 , and 6 ) . It was to be followed by scenes of pastoral and luxurious life and then views of destruction and desolation ...
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... ( Plate 21 ) , and the vertical abutment on the mountain's left flank recalls a similar shape in The Last of the Mohicans ( Plate 8 ) , it does not appear to be an or- dinary view of charming scenery somewhere in the Adirondacks or the ...
... ( Plate 21 ) , and the vertical abutment on the mountain's left flank recalls a similar shape in The Last of the Mohicans ( Plate 8 ) , it does not appear to be an or- dinary view of charming scenery somewhere in the Adirondacks or the ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City