Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
Vyhledávání v knize
Výsledky 1-3 z 14
Strana 19
... Society , New York City . Figure 6 THE COURSE OF EMPIRE : DESOLATION 1836. Oil on canvas , 391⁄2 " x 631⁄2 ′′ ( 100 x 161 cm ) . Courtesy of the New - York Historical Society , New York City . O VER THE YEARS the pleasure remained acute ...
... Society , New York City . Figure 6 THE COURSE OF EMPIRE : DESOLATION 1836. Oil on canvas , 391⁄2 " x 631⁄2 ′′ ( 100 x 161 cm ) . Courtesy of the New - York Historical Society , New York City . O VER THE YEARS the pleasure remained acute ...
Strana 64
... society by calling to mind the highest achievements of the past as a way to guide society through the present and into the fu- ture . Such a point of view suggests a specific in- terpretation of the concept of Manifest Destiny- that ...
... society by calling to mind the highest achievements of the past as a way to guide society through the present and into the fu- ture . Such a point of view suggests a specific in- terpretation of the concept of Manifest Destiny- that ...
Strana 80
... Society . 2. From Cole's unpublished essays , “ Influence of the Plastic Arts " ( 1840 ) and " Notes on Art " ( 1829 ) ... Society . 19. Russel Blaine Nye , Society and Culture in Amer- ica , 1830-1860 ( New York : Harper & Row , 1974 ) ...
... Society . 2. From Cole's unpublished essays , “ Influence of the Plastic Arts " ( 1840 ) and " Notes on Art " ( 1829 ) ... Society . 19. Russel Blaine Nye , Society and Culture in Amer- ica , 1830-1860 ( New York : Harper & Row , 1974 ) ...
Běžně se vyskytující výrazy a sousloví
American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City