Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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... York . Rogers Fund , 1903 . One of several scenes of ruins Cole painted dur- ing or after his trip abroad , A View Near Tivoli ( Morning ) and included a bridge and part of the aqueduct called the Arch of Nero . This painting reveals ...
... York . Rogers Fund , 1903 . One of several scenes of ruins Cole painted dur- ing or after his trip abroad , A View Near Tivoli ( Morning ) and included a bridge and part of the aqueduct called the Arch of Nero . This painting reveals ...
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... York Historical Society , New York . Cole intended Consummation to be the central painting in the series , flanked by The Savage State and The Pastoral State to the left and Destruction and Desolation to the right ( see Plate 14 and Fig ...
... York Historical Society , New York . Cole intended Consummation to be the central painting in the series , flanked by The Savage State and The Pastoral State to the left and Destruction and Desolation to the right ( see Plate 14 and Fig ...
Strana
... York . Material in the latter collection is duplicated on photostats in the New - York Historical Society , New York . The Archives of American Art has mi- crofilms of both the Detroit and Albany collec- tions . Additional original ...
... York . Material in the latter collection is duplicated on photostats in the New - York Historical Society , New York . The Archives of American Art has mi- crofilms of both the Detroit and Albany collec- tions . Additional original ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City