Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 15
... associations to flow freely , Alison believed , the viewer should be in a state of reverie or disinterestedness . He meant that a spe- cific aesthetic attitude had to be cultivated sepa- rately from ongoing concerns , that art really ...
... associations to flow freely , Alison believed , the viewer should be in a state of reverie or disinterestedness . He meant that a spe- cific aesthetic attitude had to be cultivated sepa- rately from ongoing concerns , that art really ...
Strana 36
... associations with this time of day : Be still ! For in this sacred , solemn deep Of silence all things mute do pray Amen ! The first and fourth stanzas of another poem , en- titled " Morning , " further illustrate the associ- ational ...
... associations with this time of day : Be still ! For in this sacred , solemn deep Of silence all things mute do pray Amen ! The first and fourth stanzas of another poem , en- titled " Morning , " further illustrate the associ- ational ...
Strana 40
... Association , Cooperstown , New York . Cole painted the scene James Fenimore Cooper described in chapter 29 of The ... associations . ) In symbolic terms , this painting can be considered to represent both a purging trial by nature and ...
... Association , Cooperstown , New York . Cole painted the scene James Fenimore Cooper described in chapter 29 of The ... associations . ) In symbolic terms , this painting can be considered to represent both a purging trial by nature and ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City