Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 13
... beautiful , immediately on re- turning from them . I must wait for time to draw a veil over the common details , the unessential parts , which shall leave the great features , whether the beautiful or the sublime , dominant in the mind ...
... beautiful , immediately on re- turning from them . I must wait for time to draw a veil over the common details , the unessential parts , which shall leave the great features , whether the beautiful or the sublime , dominant in the mind ...
Strana 36
... beautiful . Seen through the breaking mists , the fields were exquisitely fresh and green . Though dark , the mountainside was sparkling ; and the Hudson where it was un- ' covered to sight , slept in deep shadow . + 8 36 مست THE COURSE ...
... beautiful . Seen through the breaking mists , the fields were exquisitely fresh and green . Though dark , the mountainside was sparkling ; and the Hudson where it was un- ' covered to sight , slept in deep shadow . + 8 36 مست THE COURSE ...
Strana 58
... beautiful . The painting represents life at its most idyllic . People live in peace with one another and in harmony with nature . They enjoy the benefits of religion and civilization without the burdens of overrefinement , luxury , and ...
... beautiful . The painting represents life at its most idyllic . People live in peace with one another and in harmony with nature . They enjoy the benefits of religion and civilization without the burdens of overrefinement , luxury , and ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City