Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
Vyhledávání v knize
Výsledky 1-3 z 6
Strana 15
... believed , the viewer should be in a state of reverie or disinterestedness . He meant that a spe- cific aesthetic attitude had to be cultivated sepa- rately from ongoing concerns , that art really was separate from life . But Alison ...
... believed , the viewer should be in a state of reverie or disinterestedness . He meant that a spe- cific aesthetic attitude had to be cultivated sepa- rately from ongoing concerns , that art really was separate from life . But Alison ...
Strana 25
... believed that he could find God , or the Spirit of the Universe , by his own efforts . De- spite recurrent bouts of skepticism , Emerson be- lieved that he would locate that Spirit within himself ; that is , God existed in him rather ...
... believed that he could find God , or the Spirit of the Universe , by his own efforts . De- spite recurrent bouts of skepticism , Emerson be- lieved that he would locate that Spirit within himself ; that is , God existed in him rather ...
Strana 52
... believed the union of states would unravel and that " pure re- publican government " would end . " There is no perfectibility in this world . " 69 Contemporaries , however , saw the series as a challenge . America need not follow the ...
... believed the union of states would unravel and that " pure re- publican government " would end . " There is no perfectibility in this world . " 69 Contemporaries , however , saw the series as a challenge . America need not follow the ...
Běžně se vyskytující výrazy a sousloví
American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City