Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Výsledky 1-3 z 13
Strana 44
... civilization , or , as he said , “ the mutation of earthly things . " " " Be- tween 1827 and 1829 , Cole wrote about the series in his notebooks , each time elaborating his ideas further . After going abroad in 1829 , his notions ...
... civilization , or , as he said , “ the mutation of earthly things . " " " Be- tween 1827 and 1829 , Cole wrote about the series in his notebooks , each time elaborating his ideas further . After going abroad in 1829 , his notions ...
Strana 64
... civilization , rather than a promised land for the chosen people , a new civilization separate and distinct from that of Europe . Since Cole alluded to the latter point of view in The Oxbow ( Plate 16 ) and in wilderness views , The ...
... civilization , rather than a promised land for the chosen people , a new civilization separate and distinct from that of Europe . Since Cole alluded to the latter point of view in The Oxbow ( Plate 16 ) and in wilderness views , The ...
Strana 66
... civilization , wilderness dis- appeared , but Cole , like others , wanted to have both . The point at which a happy balance could be struck was , of course , impossible to measure . This painting , similar to View on the Catskill ...
... civilization , wilderness dis- appeared , but Cole , like others , wanted to have both . The point at which a happy balance could be struck was , of course , impossible to measure . This painting , similar to View on the Catskill ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City