Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 13
... compositional purposes on the singular vantage point of the art- ist . Behind this solution , or compromise , lay the problems Cole faced as the knowledgeable heir of enduring values in Anglo - American culture and as the keen observer ...
... compositional purposes on the singular vantage point of the art- ist . Behind this solution , or compromise , lay the problems Cole faced as the knowledgeable heir of enduring values in Anglo - American culture and as the keen observer ...
Strana 50
... compositional scheme but filled it with elements from the Amer- ican forest . On occasion , Cole wrote about the sublime excitement of storms . Once he said , " The storm came down in all its majesty . Like a hoarse trumpet sounding to ...
... compositional scheme but filled it with elements from the Amer- ican forest . On occasion , Cole wrote about the sublime excitement of storms . Once he said , " The storm came down in all its majesty . Like a hoarse trumpet sounding to ...
Strana 74
... of the horseman . Such compositional rela- tionships occur in The Departure and its compan- ion , The Return ( Figure 7 ) , as well as in The Course of Empire ( Plates 14 and 15 ) . And looked on armies with a leader's eye . " 74 Plate 30.
... of the horseman . Such compositional rela- tionships occur in The Departure and its compan- ion , The Return ( Figure 7 ) , as well as in The Course of Empire ( Plates 14 and 15 ) . And looked on armies with a leader's eye . " 74 Plate 30.
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City