Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 15
... concerns , that art really was separate from life . But Alison , followed by Cole , did not pursue this line of ... concerned with the Revo- lution were published in 1825 to provide the young nation with an instant history and heri ...
... concerns , that art really was separate from life . But Alison , followed by Cole , did not pursue this line of ... concerned with the Revo- lution were published in 1825 to provide the young nation with an instant history and heri ...
Strana 26
... concerns during the 1840s naturally affected his landscape painting . By the middle of the decade he had developed what ... concerned with the fal- libility of man and his institutions as well as less interested in extracting profound ...
... concerns during the 1840s naturally affected his landscape painting . By the middle of the decade he had developed what ... concerned with the fal- libility of man and his institutions as well as less interested in extracting profound ...
Strana 58
... concerned with the grand de- sign than with topography and was more easily able to suggest breadth of conception rather than specificity of shape . Paintings such as Schroon Mountain let the viewer observe the features of the American ...
... concerned with the grand de- sign than with topography and was more easily able to suggest breadth of conception rather than specificity of shape . Paintings such as Schroon Mountain let the viewer observe the features of the American ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City