Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 10
... considered more impor- tant than its message . Cole , in his belief that art ought to be a ladder by which people might rise to see spiritual reality shining above base nature , followed an old and still honored Anglo - Ameri- can ...
... considered more impor- tant than its message . Cole , in his belief that art ought to be a ladder by which people might rise to see spiritual reality shining above base nature , followed an old and still honored Anglo - Ameri- can ...
Strana 28
... considered the equivalent of English castle ruins , a theme often used by American poets of the day . Such scenes provided the contemporary viewer with a vague feeling of sublime terror , derived , if not from the medieval past , then ...
... considered the equivalent of English castle ruins , a theme often used by American poets of the day . Such scenes provided the contemporary viewer with a vague feeling of sublime terror , derived , if not from the medieval past , then ...
Strana 56
... considered as a pendant to The Architect's Dream ( Plate 23 ) . Both represent ideal visions of humanity living in harmony with nature . Cole enjoyed Florence immensely and , in a letter to William Dunlap , contrasted its qualities to ...
... considered as a pendant to The Architect's Dream ( Plate 23 ) . Both represent ideal visions of humanity living in harmony with nature . Cole enjoyed Florence immensely and , in a letter to William Dunlap , contrasted its qualities to ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City