Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 13
... detail , not all parts of a painting are clear and easy to read , and it appears as if abrupt drops into endless space lurk in the uneven ter- rain behind rock outcroppings or clumps of trees . T HESE PAINTINGS mir- ror an odd union of ...
... detail , not all parts of a painting are clear and easy to read , and it appears as if abrupt drops into endless space lurk in the uneven ter- rain behind rock outcroppings or clumps of trees . T HESE PAINTINGS mir- ror an odd union of ...
Strana 19
... Detail grew less insistent . Individual elements no longer com- peted so vigorously for attention . Horizontal movements more easily countered diagonal ones . Colors grew less harsh and forms more credibly modeled . Occasional works ...
... Detail grew less insistent . Individual elements no longer com- peted so vigorously for attention . Horizontal movements more easily countered diagonal ones . Colors grew less harsh and forms more credibly modeled . Occasional works ...
Strana 70
... detail in the foreground in logical spatial continuity to the mountain peak several miles away , the paintings were nevertheless more than just topographical views of a section of the Sicil- ian landscape . In a two - part article ...
... detail in the foreground in logical spatial continuity to the mountain peak several miles away , the paintings were nevertheless more than just topographical views of a section of the Sicil- ian landscape . In a two - part article ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City