Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
Vyhledávání v knize
Výsledky 1-3 z 15
Strana 19
... forms more credibly modeled . Occasional works , such as A Tornado ( Plate 13 ) , still possessed the immediacy of im- pact of the earlier paintings , but , for the most part , Cole began to paint views from which the sense of physical ...
... forms more credibly modeled . Occasional works , such as A Tornado ( Plate 13 ) , still possessed the immediacy of im- pact of the earlier paintings , but , for the most part , Cole began to paint views from which the sense of physical ...
Strana 34
... forms . Gilpin , as well as Alison and Reynolds , generally considered that such elements should be placed in paintings of ordered landscapes , landscapes that approached the status of parks . They be- lieved that the artist , in ...
... forms . Gilpin , as well as Alison and Reynolds , generally considered that such elements should be placed in paintings of ordered landscapes , landscapes that approached the status of parks . They be- lieved that the artist , in ...
Strana 58
... forms in landscapes Cole had completed about ten years earlier ( see Plate 4 ) , the forms now inhabit a less claustrophobic space . There are fewer major units , and atmos- pheric perspective is more gradual . Foregrounds are less ...
... forms in landscapes Cole had completed about ten years earlier ( see Plate 4 ) , the forms now inhabit a less claustrophobic space . There are fewer major units , and atmos- pheric perspective is more gradual . Foregrounds are less ...
Běžně se vyskytující výrazy a sousloví
American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City