Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 8
... illustrations for John Bunyan's Holy War . 1819 Sails for St. Eustatius , West Indies , on Jan- uary 4. In summer , joins family in Steubenville and aids father in wallpaper - manufacturing en- terprise . 1820 Advertises as art teacher ...
... illustrations for John Bunyan's Holy War . 1819 Sails for St. Eustatius , West Indies , on Jan- uary 4. In summer , joins family in Steubenville and aids father in wallpaper - manufacturing en- terprise . 1820 Advertises as art teacher ...
Strana 10
... illustrations , and Hudson River Portfolio ( New York , 1821-25 ) . The former contained twenty aquatints by John Hill of wa- tercolors by Joshua Shaw , and the latter included twenty engravings by Hill after William Guy Wall's ...
... illustrations , and Hudson River Portfolio ( New York , 1821-25 ) . The former contained twenty aquatints by John Hill of wa- tercolors by Joshua Shaw , and the latter included twenty engravings by Hill after William Guy Wall's ...
Strana 40
... illustration for Paradise Lost , pub- lished between 1825 and 1827. The brilliant and intense light emanating from the gate and from the volcano's top is probably the result of Cole's experience as a painter of transparencies in ...
... illustration for Paradise Lost , pub- lished between 1825 and 1827. The brilliant and intense light emanating from the gate and from the volcano's top is probably the result of Cole's experience as a painter of transparencies in ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City