Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 22
... important points are to be derived from these diatribes , to which Cole heartily sub- scribed . First , religious influence was needed to THE VOYAGE OF LIFE : CHILDHOOD 1840. Oil on canvas , 52 " x 78 ′′ ( 132 x 198 cm ) . Munson ...
... important points are to be derived from these diatribes , to which Cole heartily sub- scribed . First , religious influence was needed to THE VOYAGE OF LIFE : CHILDHOOD 1840. Oil on canvas , 52 " x 78 ′′ ( 132 x 198 cm ) . Munson ...
Strana 50
... important as- pects , his most European - style landscape . First , the viewer's perspective is virtually at normal eye level rather than several feet above ground , where Cole usually located it . Second , the com- position is ...
... important as- pects , his most European - style landscape . First , the viewer's perspective is virtually at normal eye level rather than several feet above ground , where Cole usually located it . Second , the com- position is ...
Strana 76
... important than the similarities . The viewer is not thrust into the landscape but is kept at a distance from it . Forms are small in scale , and the water- fall is placed too far away for its physical pres- ence to be " felt . " The ...
... important than the similarities . The viewer is not thrust into the landscape but is kept at a distance from it . Forms are small in scale , and the water- fall is placed too far away for its physical pres- ence to be " felt . " The ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City