Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 6
... land- scapes , because I have often camped with my family in those parts of the Northeast with which Cole is most closely identified - the Catskill High- lands , the Adirondacks and the White Moun- tains , and the coast of Maine . In ...
... land- scapes , because I have often camped with my family in those parts of the Northeast with which Cole is most closely identified - the Catskill High- lands , the Adirondacks and the White Moun- tains , and the coast of Maine . In ...
Strana 72
... land spit , a lake , and a water- fall , as well as buildings and other indications of human presence . Broad horizontal and diagonal rhythms provide a sense of energy , belying the fact that the viewer is actually placed at a great ...
... land spit , a lake , and a water- fall , as well as buildings and other indications of human presence . Broad horizontal and diagonal rhythms provide a sense of energy , belying the fact that the viewer is actually placed at a great ...
Strana 76
... land- scape to look upon rather than to be in . Perhaps Cole's conversion to Episcopalianism in 1842 caused him to find less religious feeling in nature than in the Bible . He might still find so- lace in his walks in the woods , but ...
... land- scape to look upon rather than to be in . Perhaps Cole's conversion to Episcopalianism in 1842 caused him to find less religious feeling in nature than in the Bible . He might still find so- lace in his walks in the woods , but ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City