Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 11
... landscape have often been compared to those of Cole ( some of which will be indicated in what follows ) . " Cole , because of his personal tastes and artistic intelligence , became the leader of the rising school of landscape painters ...
... landscape have often been compared to those of Cole ( some of which will be indicated in what follows ) . " Cole , because of his personal tastes and artistic intelligence , became the leader of the rising school of landscape painters ...
Strana 26
... landscape painting . By the middle of the decade he had developed what can only be called a salon landscape man- ner . Works such as The Old Mill at Sunset and The Pic - Nic ( Plates 26 and 28 ) show him catering to popular taste for ...
... landscape painting . By the middle of the decade he had developed what can only be called a salon landscape man- ner . Works such as The Old Mill at Sunset and The Pic - Nic ( Plates 26 and 28 ) show him catering to popular taste for ...
Strana
... landscape tradition , 26 ; and American society , 19-25 ; associationalism of , 15 ; biographical details , 8 ; and cities , 19-22 ; color use of , 19 , 46 , 62 ; compo- sitional techniques of , 13 , 19 , 26 , 28 , 46 , 50 , 58 , 66 ...
... landscape tradition , 26 ; and American society , 19-25 ; associationalism of , 15 ; biographical details , 8 ; and cities , 19-22 ; color use of , 19 , 46 , 62 ; compo- sitional techniques of , 13 , 19 , 26 , 28 , 46 , 50 , 58 , 66 ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City