Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 15
... moral usefulness . In respect to the landscape , he thought that the beauty of a scene , say , where a battle took place , could be enhanced by specific associations with national glory . Or an autumn scene might be given increased ...
... moral usefulness . In respect to the landscape , he thought that the beauty of a scene , say , where a battle took place , could be enhanced by specific associations with national glory . Or an autumn scene might be given increased ...
Strana 22
... moral powers . Rather , Cole questioned and judged negatively the eco- nomic buccaneering of the Jacksonian era . Very possibly , his cycle The Course of Empire might have been painted in response to the American civili- zation of the ...
... moral powers . Rather , Cole questioned and judged negatively the eco- nomic buccaneering of the Jacksonian era . Very possibly , his cycle The Course of Empire might have been painted in response to the American civili- zation of the ...
Strana 26
... moral messages . Others , such as Jasper Cropsey , con- centrated on describing the colors of the Ameri- can landscape . Few were interested in weighting landscape painting with as much religious and moral baggage as Cole wanted it to ...
... moral messages . Others , such as Jasper Cropsey , con- centrated on describing the colors of the Ameri- can landscape . Few were interested in weighting landscape painting with as much religious and moral baggage as Cole wanted it to ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City